Paolo's Manager
A young man comes out of a reform school properly reformed, but life outside will bring him to the underworld again. His second reform will be short-lived.
A baron, nicknamed Paolo il caldo (Paul the Hot One) because of his womanizing, asks his son, on his deathbed, to leave women alone and only think about work. The son tries hard but only gets into trouble.
Il custode del cimitero
A wealthy English lord is suffering a mental breakdown following the death of his red-headed wife, Evelyn, whom he feared was cheating on him. He tours local bars and dives, scouring for lovely red-heads willing to come back to his decaying castle in the country, where he seduces them, then tortures and kills them. His friend the doctor talks him into marrying again to help heal his slowly-rotting mind, which he does--but are the doctor's orders really what he needs?
Peppino
Italy's best loved comedy duo play rival priests in the neighboring towns of Roccapizzone and San Antonio. Did Franco crash his bike through Ciccio's new stained glass window on purpose or was he just in town for their mutual confession? Their main beef with each other concerns their opposing football teams and this feud takes up a great deal of the picture.
(uncredited)
Oscar Chartier plays a dangerous double game by selling secret plans to the German and American secret services, to ensure a comfortable future for his daughter, Sophie. But the plans are fake and Chartier decides to get help from his good friend Simon Templar.
Conta a história de um grupo de trapaceiros: Augusto (Broderick Crawford), Picasso (Richard Basehart) e Roberto (Franco Fabrizi), mostrando seus dramas pessoais, como o complicado relacionamento de Picasso com sua esposa, Iris (Giulietta Masina), ou entre Augusto e sua filha, Patricia (Sue Ellen Blake). Apesar de influenciado pelo gênero policial norte-americano, possui claras influências do neo-realismo, retratando uma Itália destruída pela guerra, sofrendo com a miséria e a fome.
massaggiatore Galba
Pedro
O professor Franco Bresci, um jovem perito em línguas orientais, é contratado por um diplomata, Bernard Stork, para que seja tradutor. A seguir apaixona-se pela secretária do chefe, Ellen. Franco é despedido por um erro de tradução e em suas imprecações invoca o diabo, que lhe aparece e o faz saborear a celebridade, encarnando-o nos corpos de um tenor e de um boxeador.
