Mirella Hoijman

Ana, a young orphan moves to the house in the forest where her only friend lives. The ambition of her friend's father to take over the nearby lands will awaken an old pagan cult that will use Ana as their only option to protect the place.

Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.

Body-obsessed teenager Lucas and his mystically-inclined older sister, Gilda, unexpectedly become stranded when they travel to a nearly deserted coastal town to try to fulfill their dead mother's last wishes in whatever way they can.

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

Quinze anos depois da Segunda Guerra Mundial, uma equipe de agentes secretos foram recrutados para localizar o Adolf Eichmann (Ben Kingsley), o arquiteto nazista famoso do holocausto.

Mirta Regina Satz worked as chief of treasury of AMIA (Mutual Association Israelita Argentina), interspersing her love for art, until July 18, 1994. In the middle of the working day, a bomb completely destroyed the building. Mirta survived the catastrophe and left the AMIA to reinvent herself at work with her own artistic work. She got engaged and decided a new course, uncertain, but true. There she began his construction work for another life.

Débora is 11 years old and is deaf. Facundo, her brother, is 18 and doesn't want her to grow up. Together, they have fun setting cars on fire while their father is away, until one day things slip out of control.

There was a time in Argentina, not so long ago, when the army wasn't only one, official, but many and made up by civilians. In those times of courageous youths determined to fight to the death for that cause upheld around Peronism as wll as some left-wing postulates, revolutionary Cubas was a beacon of hope in the world scheme -a Montonero nation. "A House in Cuba" seeks to recover the curious adventure of a couple of Montonero parents and their small children, who were lovingly sent into exile in order for their parents to take up arms.

A man travels to the country house of a distant aunt in search of peace and quiet. But when he arrives, he learns of a tragedy that happened there which keeps the house and the family frozen in time.