Israel Pimentel Bustamante

Filmes

God
Screenplay
In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.
God
Director
In a country at the world's end, the highest authority of the Catholic Church lands. The Pope comes to bring the word of God, but Chile awaits him with the most important religious crisis in its history.
Sex Life of Plants
First Assistant Director
After a head injury makes a dimwit stranger out Barbara's beloved Guille, she ceases to feel desire for him. Nearing 35, and longing for motherhood, she settles with a new partner, while the memory of lost love harrows her.
Tea Time
Sound
More than sixty years after leaving high school, former classmates Alicia, Gema, Angelica, Ximena and Maria Teresa are still devoted to their regular catch-ups in which they exchange gossip and reminiscences over elaborately presented afternoon teas. Impeccably turned out, the ladies’ free-wheeling tea-time chats run the gamut from mortality and marital infidelity to soccer and twerking.
Propaganda
Director
PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.
O Salva-Vidas
Researcher
Um salva-vidas que evita entrar no mar pode ser bom em seu trabalho? Mauricio acredita que sim. Neste divertido documentário, conhecemos um personagem cotidiano e interessante que leva suas responsabilidades muito a sério.
O Salva-Vidas
Assistant Director
Um salva-vidas que evita entrar no mar pode ser bom em seu trabalho? Mauricio acredita que sim. Neste divertido documentário, conhecemos um personagem cotidiano e interessante que leva suas responsabilidades muito a sério.
Las Peluqueras
Screenplay
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Las Peluqueras
Editor
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Las Peluqueras
Director of Photography
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Las Peluqueras
Executive Producer
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.
Las Peluqueras
Director
Ana Luisa is single and has been getting up early to open the hairdresser's shop in her living room for 30 years. Tato is married, and has been getting up even earlier to go to the Brasil neighborhood and attend Ana Luisa's hairdressing salon for 40 years. Hairstyles and cuts, it is the only thing left to offer. The hairdresser's is her refuge in the middle of a neighborhood that has become too young for their eyes. Among those who visit them is Aurora, a goddaughter who offers Ana Luisa an opportunity to try to revive the business. The plan is simple: she makes some flyers to be handed out in the square. Ana Luisa doesn't see the point of trying something like this, Tato believes that nothing is lost. They agree on one thing: handing them out will mean accepting anyone who wants to go for a cut, even the young people who they say mistreat the neighborhood.