Mathieu Busson

Is it more difficult for a woman to direct a movie? To finance it? To be respected by her team? Does she have a different way of looking at the world? Does cinema have a gender? In our two previous documentaries, we had already asked these very contemporary questions to 20 female and 20 male directors in France. But we have been eager ever since to expand the borders of our work, to question women filmmakers around the world. That is what this film has achieved, from Asia to Africa and Europe… All the women we met were funny, sincere, committed, concerned, and all looking for the best possible way to exist in an environment always governed by men. All FilmmakErs and living witnesses of the dysfunctions that still exist in the film industry.

Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

A mother of two mysteriously disappears one morning. Her husband isn't worried as they've had rough patches; his wife just wanted to give him a scare and will come home soon. But her lover is convinced she has been murdered by her husband.

França, 1935. Philippe (Yannick Renier) está apaixonado por Odile (Raphaëlle Agogué), uma bela mulher, e imediatamente decide casar-se com ela, apesar da relutância de seus pais. Eles preferiam para o seu filho único uma menina que fosse do mesmo "ambiente social" - Isabella (Agathe Bonitzer), por exemplo, que já conhecem desde a infância. Toda a família espera por um herdeiro, o que infelizmente não acontece. Odile abandona seu casamento para dedicar-se ao desenho, um talento que herdou de seu pai.

Elsa makes a living from little jobs, struggling to gain custody of his son. Mathieu, who lives next door, also keeps getting job interviews only to polish his art of failure. Their situation is increasingly precarious, but both are trying to bounce back in a world that seems not to fit them.

Bryan Mills é um ex-agente do governo, que deixou o emprego para que pudesse passar mais tempo com Kim, a filha que teve com sua ex-esposa Lenore. Ele passa então a trabalhar com antigos colegas, realizando serviços leves de segurança particular. Um dia Kim pede ao pai autorização para que viaje a Paris com uma amiga, a qual é negada pelo fato de que Bryan sabe bem os perigos que ela correria em um país estranho. Isto não a impede, fazendo a viagem assim mesmo. Só que o temor de Bryan se concretiza, já que logo após a chegada Kim e sua amiga desaparecem.

An unlikely friendship develops between a hitman and a suicidal guy who have both checked into the same hotel for different reasons.

Four hardened crooks break out of prison. Hunted down, with nowhere to run, they seek refuge in the only place the police cannot follow, a Cistercian monastery. Cut off from the outside world, a nightmare stand off develops between the fugitives, ready to kill in defence of their dearly purchased freedom, and the monks they' re holding hostage. But in this potentially lethal confrontation, nothing is quite as it seems. The game' s been rigged from the start. Requiem' s a violent and fast paced French film that really delivers.

September, 1986. Alice and Martin are 17 years old. They come from provinces to Montesquieu high school in the capital. Like many youngs of their age, born in the 70s and nostalgic of a too comfortable childhood, they progress carefully in life. While Alice and Martin are finding their footing, demonstrations against the Devaquet law and the tragic death of Malik Oussekine are happening.

A teen party gone out of control provides the focus of this drama which explores the transitions of youth in a transitional time set in the post-disco, pre-punk, early 1980's. Ariane, a teenager, is rebelling against her father and her boyfriend Pierre. She decides to hold a small party. The party is crashed by a large crowd of rude outsiders who proceed to destroy her home. Afterward, Ariane must face her obsessive neatness.

Joan has succeeded in lifting the siege on Orléans and Charles VII has been ordained King of France. However, she is injured in her failed attempt to take Paris, weakening her position at court. When she is finally captured and put on trial, she finds both her life and the sanctity of her body at stake.

Jeanne the Maid leaves her childhood home in Domremy after hearing what she is sure was the voice of God. She believes that she can help lead France to victory on the battlefield, and she persuades Charles, dauphin of France to allow her to guide his troops.