Assaf Lapid

On the night of March 5, 2002, an armed terrorist opened fire on civilians dining in a Tel Aviv restaurant. Druze policeman Salim Barakat quickly arrived on the scene and bravely eliminated him. However, he was killed by the terrorist. For ten years, Jamal, Salim's brother, has been attending annual police ceremonies in commemoration of his brother. Suspecting they may be withholding information, he decides to go on an investigative journey to find out who killed his brother. This is the story of a bereaved brother facing the Israeli security establishment, of a Druze facing the State of Israel, and more than anything, of a man facing himself.

On the night of March 5, 2002, an armed terrorist opened fire on civilians dining in a Tel Aviv restaurant. Druze policeman Salim Barakat quickly arrived on the scene and bravely eliminated him. However, he was killed by the terrorist. For ten years, Jamal, Salim's brother, has been attending annual police ceremonies in commemoration of his brother. Suspecting they may be withholding information, he decides to go on an investigative journey to find out who killed his brother. This is the story of a bereaved brother facing the Israeli security establishment, of a Druze facing the State of Israel, and more than anything, of a man facing himself.

The river and nature are placed in the forefront of the film, taking on the role of the main character. Through rare archival materials in addition to personal and social stories, we reveal the importance of the connection between society and its land, between nature and man. This is a portrait of one small river that flows in the heart of the Israeli society and reflects the Israeli narrative through an entirely new lens.

Set in Israel during the 80's, a young boy's role model uncle - a shadow puppet artist - is slowly losing his mind, drawn ever deeper into a web of Local folklore, Israeli Ethos, and unearthly puppetry.

Still in the aftermath of a tough break up, Paul's life is slowly deteriorating. A mindless burglary of his rented apartment forces him to to push through the underworld of Tel Aviv to investigate.

A young man by the name of Hertzel comes back to Israel broke after years abroad and finds work hanging advertising posters. He drives across the country from north to south in his deceased father’s old Volvo, meeting stranded people, lost people, people on quests – until his journey brings him face to face with himself and with open questions about the past.

Yonatan, a young rascal, needs fifteen Shekels. Everything else is not important right now.

An Israeli director currently living in Berlin returns to Israel to meet some of her friends from primary school. She learns what has been happening in their lives since their paths parted while we get a glimpse of different Israelis.