Eduard Galkin

Eduard Galkin

Nascimento : 1972-04-20,

Perfil

Eduard Galkin

Filmes

Who's There?
Production Design
A knock on your door sets in motion the feeling of anxiety. Should you open? Who, or what, will you encounter if you do? The characters of this continuous-shot anthology film – a billionaire, a commercial pilot, a trainee police officer, and a young single mother – find themselves in critical situations, facing the unknown. To make the right choice they must look deep within themselves, and recognize the true source of their fears.
Zoya
Production Design
Outono de 1941. A estudante Zoya Kosmodemyanskaya de ontem se ofereceu para uma escola de sabotagem. O destacamento de guerrilheiros, no qual Zoya estava localizada, é emboscada, e Zoya é capturada pelos alemães, enquanto tentava incendiar o celeiro. Interrogatórios e torturas não levaram a lugar nenhum. Ela não disse nada que pudesse atrapalhar a atribuição de outros grupos. Os nazistas não conseguiram nem mesmo alcançar seu nome verdadeiro - seu sacrifício não foi em vão. Seu feito inflamou milhões de corações, ajudando nossos soldados a chegar a Berlim.
Blood
Production Design
The modern parable of two brothers, overcoming a complex spiritual path towards each other, unfolds in the center of modern Moscow. Valera Romeev is a young artist who is forced to work as a street portrait painter. Having spent a serene childhood in a mining town in Eastern Ukraine, Valera struggles to find herself in a cruel megalopolis. Hoping for support, Romeev is looking for his elder brother Vadim, a successful businessman who left his father’s house for a long time and lost contact with his family. Strong, independent Vadim, refuses his younger brother to help. Cornered by circumstances, spurred on by jealousy and annoyance, Valery takes a desperate step ...
The Man from the Future
Production Design
"Only fifty minutes to go until the end of the world, please head to the check-out!", thus goes the instruction that rings out from the loudspeakers of a Moscow supermarket. When cashier Gulya shuts up the shop and resolves to prepare for the apocalypse, a naked individual appears from amongst the aisles to claim that he has arrived from the future with the task of saving the planet. Originally from Bishkek, Gulya is supposedly the chosen mother of the savior, whom he, Alexander Merkuriev, is to impregnate. The morning after however it soon becomes clear that Alexander ended up in the wrong supermarket with the wrong Gulya. The right Gulya, who is actually from Tashkent, cannot keep the revelation to herself on learning of her destiny, and wastes no time in breaking the story to the media. This in turn proves such a sensation that even the Presidential Administration of Russia gets involved. All involved are soon brought back to earth however when a headmistress from a provincial...
Security
Production Design
A story of a young girl Claudia who works as a security guard on a slowly dying metal plant.
The Winter Will Not Come
Production Design
The world is going absolutely crazy when the giant meteor is approaching Earth...
Test
Costume Design
They live in the steppe. A father and a daughter. Nothing may disturb the eternal order. Tomorrow always comes. And every morning the father goes away to work. And she stays alone. To wait for her father. And to feel. Two men are in love with her. She loves everyone. Her love cannot be divided. One day, the decision comes by itself. It comes from where the sun lives.
Test
Production Design
They live in the steppe. A father and a daughter. Nothing may disturb the eternal order. Tomorrow always comes. And every morning the father goes away to work. And she stays alone. To wait for her father. And to feel. Two men are in love with her. She loves everyone. Her love cannot be divided. One day, the decision comes by itself. It comes from where the sun lives.
Chagall-Malevich
Production Design
The film is an attempt to recreate the world of Marc Chagall and his myth within the genre of a folklore ballad. We are not exploiting Chagall's images, but are attempting to create a dramatized projection of his creativity onto the movie screen, relying on both, facts and fantasy (as Chagall himself would).The story is based on real events which occurred at the time of Chagall's short-lived period in Vitebskin in 1917-18, during which time he creates the Academy of Modern Art, inspired by his dreams of a bright and beautiful future. Many pictures by Chagall and Malevich are used in the film.
Lovey-Dovey 3
Production Design
In third part of "Lovey-Dovey" Andrey and Marina are exchanging bodies again - but this time with their parents in law.
Decoy
Is secret cooperation with the government a respectable thing?.. This is the question Nikolay should answer for himself.
Decoy
Production Design
Is secret cooperation with the government a respectable thing?.. This is the question Nikolay should answer for himself.
Crawfishlike
Production Design
Michal Michalych who almost felt like "had it all" suddenly meets a young girl who never ate "crawfishlike"...
Operação Moscou
Production Design
Neste filme de suspense que foge do comum, os problemas parecem perseguir o solitário Ray Perso (interpretado por Norman Reedus). Ou talvez ele mesmo persiga os problemas. Primeiro, ele é preso por invadir o sistema bancário e os caixas eletrônicos de Manhattan e fazê-los distribuir notas de 20 dólares em cada esquina. Depois, ele é tirado da clínica de recuperação onde cumpre pena por um chefe do crime organizado russo chamado Dolphin (interpretado por Slava Schoot), e levado secretamente para Moscou para trabalhar para um “homem de negócios” que está preso. Ray passa por uma terrível prova de batismo no caótico, estranho e completamente perverso submundo de Moscou com seus novos parceiros no crime. Ele é tirado do esconderijo, tentado por uma bela mas complicada mulher chamada Maya (interpretada por Xusha Buravsky) e caçado por um urso que fugiu de um circo. Tudo isso antes de seus verdadeiros problemas começarem, porque Ray tem a ‘brilhante’ idéia de roubar a máfia russa…
Alive
Costume Design
A veteran of the Chechen War is helped by the ghosts of his two fallen comrades to leave the war behind.
Alive
Production Design
A veteran of the Chechen War is helped by the ghosts of his two fallen comrades to leave the war behind.
The Golden Age
Production Design
Historical period melodrama.
Two Drivers
Production Design
A young driver fascinated by cars suddenly meets a young girl who owns a Ford truck.
Happy Birthday!
Production Design
Blending dramatic situations with a documentary-influenced visual style, Happy Birthday looks in at a typical day in a Russian maternity hospital. The patients range from a middle aged woman pleased if surprised by her current pregnancy to a Muslim woman whose marriage to a Russian has blighted her relationship with her family. No matter what their situations, the women draw strength and support from each other as they share their common experience.
Golem
Production Design
The plot is based on the story of a village demented youth. He is a local fool, living in a poor hut with a sick mother. His neighbors are the Jewish family of the local blacksmith Mendel, and he is secretly in love with his youngest daughter Sonya. When the war starts, the Germans quickly occupy the village. Panic begins among the Jews, as well as in the Mendel family, and they try to equip a shelter at home, which the young man becomes aware of. Hoping to get the blacksmith's house, he reveals this secret to the Germans, but the German military police take him to their headquarters. The protagonist finds Sonya in his garden and wants to save her life, not imagining what difficulties this decision will turn out to be for everyone.
Height 220
Production Design
The film tells how in the summer of 1942, on the approaches to Stalingrad, Wehrmacht soldiers were blocked by the defenders of Altitude 220. Machine-gun crew of Hanpasha Nuradilov destroyed almost a thousand soldiers and officers of the enemy in an unequal battle, showing an example of selfless courage and heroism. With his sacrifice, Nuradilov stopped the powerful attack of the Germans, thereby giving time to regroup the Soviet troops, and did not allow the enemy to capture the Serafimovichi bridgehead, which gathered the main forces of our army for the main attack on the Wehrmacht group in Stalingrad.