Evgeny Golynkin
Nascimento : 1951-06-04, Leningrad, USSR (St. Petersburg, Russia)
Producer
The picture is dedicated to the fate of Lyudmila Mikhailovna Kusakova - production designer of the Mosfilm film studio, who created costumes and sets for the cult Soviet films Anna Karenina, Pomegranate Bracelet, Aybolit-66, Ordinary Miracle, Pokrovskie Gates and many , many others.
Screenplay
The picture is dedicated to the fate of Lyudmila Mikhailovna Kusakova - production designer of the Mosfilm film studio, who created costumes and sets for the cult Soviet films Anna Karenina, Pomegranate Bracelet, Aybolit-66, Ordinary Miracle, Pokrovskie Gates and many , many others.
Director
The picture is dedicated to the fate of Lyudmila Mikhailovna Kusakova - production designer of the Mosfilm film studio, who created costumes and sets for the cult Soviet films Anna Karenina, Pomegranate Bracelet, Aybolit-66, Ordinary Miracle, Pokrovskie Gates and many , many others.
Director
Children's books affect not only the content, but also the design, aesthetics, and often it was in the design of a children's book that an unexpected leap in art took place, in the design of which - some by vocation, some by force – many outstanding artists of the twentieth century left.
Producer
The film tells about a unique creative and family duet, about two outstanding theater directors - Henriette Janowska and Kama Ginkas. For thirty years, they continue to build an amazing theater house - not only for themselves and their actors, but also for hundreds of viewers loyal to them. This house is called the Moscow Youth Theater. The film is a family portrait in the interior of the theater and in the "exterior" of time.
Producer
The psychological and physical burdens that cardiac surgeons must bear are borderline.
There are two opinions. The first: if you are not fully dedicated to heart surgery without any other interest you can not be a true professional. The second opinion: if you do not have an outlet, something else in your life, you will quickly fall apart and you will not be able to work quite well. At the center of the film is Mikhail Alchibaia, MD, director of the Coronary Surgery Department of the Bakulev Cardiovascular Surgery Research Institute and one of the world's leading collectors of contemporary art.
Screenplay
The psychological and physical burdens that cardiac surgeons must bear are borderline.
There are two opinions. The first: if you are not fully dedicated to heart surgery without any other interest you can not be a true professional. The second opinion: if you do not have an outlet, something else in your life, you will quickly fall apart and you will not be able to work quite well. At the center of the film is Mikhail Alchibaia, MD, director of the Coronary Surgery Department of the Bakulev Cardiovascular Surgery Research Institute and one of the world's leading collectors of contemporary art.
Director
The psychological and physical burdens that cardiac surgeons must bear are borderline.
There are two opinions. The first: if you are not fully dedicated to heart surgery without any other interest you can not be a true professional. The second opinion: if you do not have an outlet, something else in your life, you will quickly fall apart and you will not be able to work quite well. At the center of the film is Mikhail Alchibaia, MD, director of the Coronary Surgery Department of the Bakulev Cardiovascular Surgery Research Institute and one of the world's leading collectors of contemporary art.
Director
Forty years ago, a documentary film about Soviet cardiac surgeons was released. Perhaps, for the first time on our screen, doctors reflected on the value of human life, talked about their experiences caused by the death of a patient, about the imperfection of Soviet medicine, the lack of knowledge and responsibility of doctors. For forty years, medicine has made an incredible breakthrough, but the moral problems that plague doctors have remained the same. “You can’t get used to death” is the leitmotif of the paintings, old and new. The film was awarded as the Best Non-Fiction Film at the Russian Film Festival "Window to Europe" - 2016.
Director
Historical memory is not only archives, libraries, great art collected under the roofs of large museums and private collections. There is collected what belongs to all mankind. But each of us has a historical memory, these are trifles, faced with which, we suddenly recall with all clarity our childhood, the people around us, that long-gone life.
Director of Photography
On the eve of demobilization, 13 years ago, during the Second Chechen War, 19-year-old Roman was seriously wounded in the head. He miraculously survived, and spent all these years in a continuous struggle with physical illness, with his own weakness and despair, striving to learn how to live again…
Producer
On the eve of demobilization, 13 years ago, during the Second Chechen War, 19-year-old Roman was seriously wounded in the head. He miraculously survived, and spent all these years in a continuous struggle with physical illness, with his own weakness and despair, striving to learn how to live again…
Writer
On the eve of demobilization, 13 years ago, during the Second Chechen War, 19-year-old Roman was seriously wounded in the head. He miraculously survived, and spent all these years in a continuous struggle with physical illness, with his own weakness and despair, striving to learn how to live again…
Director
On the eve of demobilization, 13 years ago, during the Second Chechen War, 19-year-old Roman was seriously wounded in the head. He miraculously survived, and spent all these years in a continuous struggle with physical illness, with his own weakness and despair, striving to learn how to live again…
