The film throws light on the role of the Satra & Namghar in the evolution of genesis of Assamese identity. The Satra and Naamghars were set up by Shankarcharya, with religious aspect it became a part and parcel of Assamese social and cultural life.
The saga of Mazhuddin Khan alias Immi, born in 1939 in Bombay, British India, as a eunuch, whose mother, Zeenat, in denial that she has sired him, refers to him as her younger brother. She attains fame, has an affair with Inder Kumar Bhalla, only to lose him years later to a younger actress, Chitra. Embittered, she sets out to seek vengeance, takes to gambling and alcohol, isolates and alienates herself from the film-world, and then must also deal with the news that Immi has become the 'father' of a male child, Murad. In the end, it is Immi that saves her from total self-destruction.
Amal Basu, who decides to visit his hometown, meets Lila on the train. When he goes to his friend Nabendu's home, he learns that Lila is his sister and a smuggler.
Amal Basu, who decides to visit his hometown, meets Lila on the train. When he goes to his friend Nabendu's home, he learns that Lila is his sister and a smuggler.
A philanderer only son of a millionaire is attracted to a poor orphan artist, whose god-brother is a hater of rich people, and would go to any extent to get money off them.What would happen when the roles reverse?
Indramalati is the second Assamese language film, directed by the great Assamese poet Jyotiprasad Agarwala Jyotiprasad Agarwala wrote the story of Indramalati, which was a tale of romance.
Indramalati is the second Assamese language film, directed by the great Assamese poet Jyotiprasad Agarwala Jyotiprasad Agarwala wrote the story of Indramalati, which was a tale of romance.
