Toms Auniņš

Two young men come to visit their friend, who, after an unsuccessful suicide attempt, spends his daily life in a remote country house. Spending a seemingly peaceful day together, the two young friends leave their friend with the hope that he will recover soon.

While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.

While the whole world is overwhelmed by revolutions of different shades, the leading tandem of the Small Theater - Ivars and Armands is working on a new historical play set in 18th century France called ‘Revolution’. A week before the premiere the favorite of audiences and critics Armands receives a tempting offer to pursue his career at the Grand Theater. Betrayed by his best friend, Ivars gradually loses touch with reality. Themes of the play ‘Revolution’ starts to intertwine with Ivars personal life until he becomes unable to distinguish truth from fiction and that brings the Small Theater closer to an inevitable catastrophe - the act of terrorism at the evening of the premiere.

Brothers Robert and Martin are a month away from their largest art exhibition. To get creative juices flowing, Martin locks himself in a black cube. Once out, brothers fall into a wild rollercoaster of events existing on the very edge of the chaos, examining the thin line between the artist’s creativity and mental troubles.

A bureaucrat who has just declared himself as a new political force has disappeared… in a canteen; police are investigating. Combining the absurd and black humour, a harsh and ironic reflection on civil servants, cops, and contemporary art.

Through the prism of three distinct characters, the 24-year-old director conveys an intimate and sensitive portrait of his own generation, wanderers looking for their place in the new and uncertain world. Dancer Tanya moves to Mississippi where she finds love with a paraplegic wheelchair basketball trainer who is more than 20 years her senior. App developer Tomass abandons the life he had before and becomes a world-travelling digital nomad. Avant-garde publisher Valters collects toilet seats in a poetically performative attempt to overcome past trauma.

An absurd game of “finding happiness” is being played by local Latvian coyotes* and illegal immigrants on the Russian and the European Union border. It is a game with no winner – all participants are driven to play by the sense of despair. While one side leaves home and undertakes a perilous journey to the other side of the globe, hoping to spend the rest of their lives in a free country, the other side risks their freedom to earn a chance to stay right where they are, in their homeland. *coyote – someone who smuggles illegal immigrants

A year has passed since the turbulent events of the 1905 revolution. The secret police has almost eradicated the network of social democratic fighters. Only one group continues fighting and a bold assault on a factory cash desk is being planned. A low ranking fighter Grey is assigned to lead the operation. Meanwhile, Grey starts an affair with a young poetess Violet and gets to know the flamboy-ant crowd of decadent artists and writers. Inspired by Violet Grey takes a look at revolution from a different perspective. Meanwhile Violet gradually gets involved in the dangerous world of revolutionary fighters. November 1906 in Riga is still remembered as a month of crazy bohemia and violent terror.

O maligno e cínico guerreiro cruzado Max von Buxhoveden está tentando destruir as crenças pagãs do povo espalhando mentiras e fomentando a dissidência. O velho rei das últimas terras pagãs livres está em seu leito de morte e sem um herdeiro para ocupar seu lugar. Max quer assumir o trono e reinar sobre a antiga tribo do rei. Inesperadamente, com sua respiração agonizante, o rei passa seu anel para seu sobrinho Namejs. Namejs, que cresceu entre os sacerdotes pagãos e estudou a sabedoria antiga, agora tem que defender seu povo. Será ele capaz de desvendar o segredo do Anel e obter seu poder?

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

They fell trees in the forest, work in brigades and live in trailers or empty apartments far from home. The work is heavy. During moments of respite, the loggers like to sit on the stumps and talk about life. And about women – those waiting at home, or those they imagine.

The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.

This creative documentary tells the story of women in art – what she has to sacrifice in her personal life and what choices have to be made in order to gain success in her career. The film explores life of artist, by following theatre director’s Mara Kimele's fighting relationships with her despotic grandmother Anna Lacis (widely known as Asya, whose life is closely tied to the names of Walter Benjamin and Bertolt Brech), cynical son Peteris (who is played by an actor) and work while she stages F. Dostoevsky's “Crime and Punishment”. Every character of film is an act. But does that make them any less real? And what is real in the world of art? Apart from its human character's, the film also has an animated one – the horse, who came into life through the first letter Mara wrote to her grand mother and has been following her ever since.

A business executive lays off hundreds of harbor workers after they go on strike. He and his wife plan to escape the stress by taking an Italian vacation. On the evening before the trip, one of the fired workers, dressed in an orange harbor worker safety jacket, slips into their home. Although his immediate actions reveal a murderous intent, revenge is only the initial step.

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.

Three young men head to an isolated country house to shoot a film that they hope will bring them fame. They have no experience, but possess the will to change their lives. They make various attempts, but none seem to work. The team comes to a creative impasse, but the stakes are too high to give up. In hopes of drawing out their talents, they spend more and more time chipping away at each other. Previously hidden character traits come to light further complicating their relationship and the making of the film. Soon it's each man for himself. Just when the experiment seems utterly failed, one of them is discovered dead. It's not clear whether it's accidental, suicide or murder, but a real body in the scene satisfies - this could be the start of The Film.

13 stories about love set in the capital of Latvia.

Ralf, 35, is saving his relationship by taking his girlfriend’s son on a boat trip with an aim to establish himself as a father figure. Not a wildlife expert himself, he also takes on board his office buddy, and it soon becomes clear that this unpredictable, flamboyant womaniser is a world away from being an example to look up to. As Ralf tries to protect the boy from his friend's unsophisticated look on gender and sexuality, soon they are confronted with the realities of the sharp winding river and the roughness of Latvian nature.