Chris Darlington

Chris Darlington

Perfil

Chris Darlington

Filmes

Touch
Editor
When a single mom, facing eviction, is offered a night’s work, she unsuccessfully seeks a babysitter for her two small children. Desperate, she reaches out to the last person she wants to ask for a favour.
Snarbuckled
Editor
An itinerant cook survives a shipwreck, paddles himself to an island in a stock pot, and finds himself on a surreal journey through his past to discover the ineffable connection he has with a clown living a desultory existence in a dilapidated lighthouse.
Vistas: Red Ochre
Cinematography
Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
Vistas: Red Ochre
Animation
Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
Vistas: Red Ochre
Editor
Combining archival photos with new and found footage, this short film presents a personal, impressionistic rendering of what it's like growing up Mi'kmaq in Newfoundland, while living in a culture of denial. Vistas is a series of 13 short films on nationhood from 13 Indigenous filmmakers from Halifax to Vancouver. It was a collaborative project between the NFB and APTN to bring Indigenous perspectives and stories to an international audience.
My Ancestors Were Rogues and Murderers
Editor
An exploration of the unique culture of Newfoundland's outports, the film revisits the PR coup that launched the animal rights movement onto the international stage: the 1977 Newfoundland visit, orchestrated by the International Fund for Animal Welfare, of French actress turned animal rights activist Brigitte Bardot to protest the area's ancestral sealing activities. Soon, inhabitants of the island's northern outports we're being introduced to the world as the epitome of brutality.