Self
Colorido e ultrajante, Antonio López (1943-1987) foi o ilustrador de moda mais influente da década de 1970 em Paris e Nova York.
Screaming Passer-by
Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women the oppurtunity to perform hit jobs. L.T. is a parasite, and contacts Hazel looking for work after he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the cop she pays off wants an arrest to make it look like he's doing his job, but Hazel doesn't want to sacrifice any of her "associates". The sleazy side of life is explored in this delightfully dark and deadpan film.
Jane
Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.
Herself
David Bailey, self-taught photographer and one of the prime architects of the Swinging Sixties, broadened his horizons in the early 1970s by making high-profile documentaries for ATV. With his standing among the artistic community, Bailey was given unprecedented access to Pop Art legend Andy Warhol and his followers, in an attempt to penetrate behind the expressionless exterior of a man who was one of the most controversial figures of his generation.
Self
With a rambling, unstructured style that echoes Andy Warhol’s own approach to filmmaking, this documentary profiles his career, showing him to be a brilliant manipulator, dedicated voyeur and person of astute commercial judgment.
Jane
Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.
Jane
Segundo filme da trilogia de Paul Morrissey e Andy Warhol. Joe (Joe Dallesandro) um rapaz viciado em heroína vive com sua namorada, Holly (Holly Woodlawn), num apartamento minúsculo e abarrotado de lixo em Manhattan. Lixo à que Holly recorre todos os dias para revender e também para mobiliar a casa. Lixo que preenche o vazio e o desespero dos dois. Eles tentam com o governo a adoção de um bebê a fim de se beneficiarem da assistência social. No entanto, apesar dos seus sonhos, o casal parece condenado a permanecer às margens da sociedade, rodeado pelo lixo. Lou Reed imortalizou em música e verso os dois personagens em “Walk on the wild side”.