Carlos Afonso

Filmes

Vadio
Abandonado pelo pai, André, de treze anos, tem de se desenvencilhar sozinho na remota e dura região do Alentejo. Quando os serviços sociais batem à sua porta, a única pessoa com quem pode contar é a vizinha Sandra, uma jovem mãe que conta os dias para se reunir com a sua própria criança. André consegue enganar Sandra para que ela tome conta dele e juntos embarcam numa viagem por uma paisagem desolada, à procura da sua família.
Videovigilância
Gonçalo ('Judeu')
Álvaro and Jaime, two childhood friends in their twenties, share a particularly critical view of the functioning of society in all its dimensions. Spending much of the day as a video club clerk in order to get some financial income and get around the difficulty they feel in entering into the game of professional careers and status - a refusal that is a personal commitment for them - the two main characters they are plotting a suburb diary. While they understand the nonsense of the existence of a videoclub, at a time when the proliferation of the Internet facilitates access to the contents available there, the two main characters engage in a parallel business selling the herb, using the establishment like facade. The process passes without the knowledge of the owner of the video club, an individual at the end of middle age with a total disinterest for cinema.
Rádio Relâmpago
André
A man who grew up in the '80s, in the midst of the pirate-radio scene, works now at a big, modern radio station, but still holds on to his love for a mysterious female lead singer of a now long gone band. He sets himself to start another pirate-radio, now unlegalized, trying to find her.