Victoria, a former operative, is getting used to a normal life with her beloved husband, a psychologist. But after being attacked by a criminal in the service, she cannot have children. The couple decide to take six-year-old Dasha, whose parents died in a fire, to their place for the weekend. And then strange events begin to happen in their country house. The girl behaves secretly and sometimes aggressively, draws scary pictures and spoils toys. In her drawings, Vika guesses the victims of that same criminal, now she is absolutely sure: the villain is alive, and he is somewhere nearby.
Veronika Sergeevna
Rita é uma doce e ambiciosa jovem de um povoado do litoral que decide romper com a rotina e conquistar a capital para estudar teatro. Ela viverá as histórias mais malucas para tentar se dar bem na cidade grande.
A young German woman is searching for the man she loves in northern Russia.
Lyuba Solovyova becomes a witness to the accident, after which Pavel, unfamiliar to her, also Solovyov, ends up in intensive care. In the hands of Luba is his son Shura. Lyuba comes to the hospital, where she is mistaken for Paul’s wife. Unable to abandon a child who does not have a mother, and his father is in a coma, the woman decides to wait for Shura's grandmother to arrive from Germany, and for now, she assumes the role of wife and takes care of Pavel. Perhaps there are personal reasons for this: the whole situation unfolds against the backdrop of a break with her husband Sergei, who is sure that no one needs Lyuba, which means that you can behave with her as you like. And it is important for her to feel necessary - even if it is for an occasional person.
Вербицкая
This is a remarkably subtle film–a character study that focuses on Mitya’s attempts to cope with each new startling phase of discovery. At first he mourns for his dead wife, but then he discovers that he didn’t really know her.
