Martin Delzescaux

O documentário de Isabelle Solas é um grito de revolta contra a intolerância patriarcal e religiosa. Intimamente interseccional em sua aceitação da diversidade corporal, ativistas transfeministas na Argentina travam suas batalhas incansáveis com coragem, resiliência e alegria radical.

A night doctor walks through a village invaded by the Wohlfahrtia Magnifica fly. Indoor and outdoor, winter tourist activities in Bessans rub shoulders with the rurality of local residents.

Parody of the acclaimed Australian series of the 80s, Return to Eden. Wealthy heiress Stephanie Harper marries athlete Craig Danners, without suspecting that he only wants her money and is having an affair with her best friend, Crystal. Craig and Crystal have a plan to get rid of Stephanie and steal her fortune by making her suffer a terrible accident, which leaves her face disfigured. She is saved by the handsome Doctor Danley, who performed a plastic surgery on Stephanie that turned her into a completely different and beautiful woman. Stephanie starts plotting her revenge against Craig and Crystal, who believe that she died in the accident.

Um universo virtual 3D, simulado por um motor de jogo alimentado com fotos históricas, permite experimentar um momento perdido da história.

Um universo virtual 3D, simulado por um motor de jogo alimentado com fotos históricas, permite experimentar um momento perdido da história.

The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama.

Sabine is looking for a missing image: a day that has left its mark forever and that everyone remembers but her. But maybe this absence is what allows her to move on with her life?

Some game trolls in the United States make a sport of getting other players “swatted” live during the game: they find out someone’s name and address, fake his caller ID, and make a bogus 911 call. The next thing you know, a SWAT team armed to the teeth is bursting into his house and giving him the fright of his life. This is all streamed live on camera, of course, so everyone can be in on the joke. Swatted is a cinematic exploration of this phenomenon based on 911 calls by offenders, YouTube videos of games and raids, and first-hand accounts of what it’s like to be swatted.

Um advogado arrogante vê sua vida perfeita desmoronar quando um detetive particular chega na sua pacata cidade para investigar um desaparecimento. Implacável, o detetive quer provar que nada é o que parece ser, e descobre segredos surpreendentes.

A slow movement through a residential neighbourhood, with empty streets, plain facades, as though artificial. A man recounts his story about the first time, attraction, desire, dizziness of the ignition, forgetfulness, complete blackout. The monologue is composed from transcriptions of psychotherapeutic sessions with arsonists, from the period 1960-1980.

Since the year 2000, there have been several waves of suicides among the indigenous population of the Colombian Amazon. I discovered that the men commit suicide because of love sorrow. Their wives leave them for white men. The latter think that the Indian feels nothing because they do not express themselves in the same way and, in their language, there are no words to describe feelings. Is it possible that a whole people, the Cácuas Indians, do not feel anything?