A few days before the museum reopens, director Marie Losier is invited to be the first to re-enter and film her discovery of the place. During this night at the museum, she wanders from room to room and films the enigmatic creatures she encounters - animals, works, but also the artists and accomplices she has invited. These successive apparitions compose the scenes of a surrealist film that spectators can discover in a giant projection on the façade of the museum during an exceptional evening.
La sphinx
Oedipus arrives in Thebes and finds a devastated city, where the young men are devoured by a monstrous beast, the Sphinx. He decides to deliver the inhabitants of this plague installed on the roof of a building.
For Body Double 35, Dellsperger takes the second scene from Xanadu. Played by choreographer/dancer François Chaignaud, a sprightly group of Muses emerges dancing from a painting on the wall. At an exhibition at the Swiss Institute in 2016 Dellsperger reproduced the wall painting and in a strange switch the creation of the set precedes the idea of the film, even becoming its trigger. The entire equilibrium of things seems to be affected : the shots are reversed and Kira dances backwards until she becomes one with the wall. The loop is closed.
