Daniela
Daniela não sabe o que fazer com sua vida ou para onde ir. Sofrendo de insônia, ela tenta encontrar uma saída para o que chama de "fase liminar constante." Ela vagueia pelo seu bairro em Viena e passa o tempo com duas amigas, Mia e Natascha, que foram visitá-la de Berlim.
Writer
Daniela não sabe o que fazer com sua vida ou para onde ir. Sofrendo de insônia, ela tenta encontrar uma saída para o que chama de "fase liminar constante." Ela vagueia pelo seu bairro em Viena e passa o tempo com duas amigas, Mia e Natascha, que foram visitá-la de Berlim.
Director
A magical lunar reverie filmed over four years on the days and nights of the full moon, this shimmering moving-image poem fluidly combines images of the saltwater Loch Carron in the Scottish Highlands and leafy Viennese forests. The two locations blur and bleed into each other, just as the film itself (shot on gloriously outdated analogue stock) wanders freely among human bodies and bodies of water.
Director
“…the body of the world which is also yours and which keeps insisting / you recognize it” - Extract from Quantum by Kim Addonizio. In Zahlner’s film the world is heightened through an abstracted filming of sensory textures, evoking touch, light and sound. All becomes one and forceful.
Director
Indoor Natur Elements Porno: Different.
"Mr. Darcy: The synonym for the romantic hero since 1813, as he first appeared in Jane Austen's novel Pride and Prejudice. The book had several movie adaptations (especially prominent [were those from] 1940, 1995 and 2005), which not only inscribe Darcy’s character in popular culture, but also illustrate our capitalist notions of love and desire, as well as a wish for escapism into a pre-industrialized, pre-virtualized world. I, too, fell for Mr. Darcy. Thanks to my webcam and Photo Booth, I can finally have my go [at] winning him over." (Daniela Zahlner)
Director
"Mr. Darcy: The synonym for the romantic hero since 1813, as he first appeared in Jane Austen's novel Pride and Prejudice. The book had several movie adaptations (especially prominent [were those from] 1940, 1995 and 2005), which not only inscribe Darcy’s character in popular culture, but also illustrate our capitalist notions of love and desire, as well as a wish for escapism into a pre-industrialized, pre-virtualized world. I, too, fell for Mr. Darcy. Thanks to my webcam and Photo Booth, I can finally have my go [at] winning him over." (Daniela Zahlner)
Director
Shot on super 8 film material.
Director
Lily, Helena, Sisi and Mathilda
