Aliya Mendygozhina

Aliya Mendygozhina

Perfil

Aliya Mendygozhina

Filmes

Steppenwolf
Producer
Tamara, in order to find her son, who was kidnapped during the riots, hires an escaped prisoner, Brayuk, a former interrogator. Brayuk agrees to help for money. But his methods prove harsh and Tamara does not accept Brayuk's methods, while he is alien to Tamara's ideas. They decide to find the boy together, and in this, perhaps, is the answer. People are people no matter go.
Businessmen
Executive Producer
Events in the "Businessmen" unfold in the era of the 90's, when the country is experiencing an economic crisis. Heroes of the film are among the first who stood at the origins of market relations in Kazakhstan.
The Gentle Indifference of the World
Executive Producer
After her father's untimely death, Saltanat is forced to trade her idyllic countryside life for the cruel city. She has to find money to pay off the large family debt that her father left behind, in order to save her mother from jail. Friends since their village childhood, her loyal, but penniless admirer Kuandyk follows her just to make sure his sweetheart is safe. Saltanat's uncle introduces her to a possible groom, who promises to pay off her family's debts. But Saltanat's hopes are dashed, when she discovers that the men in this city don't keep their word. When Kuandyk tries to help Saltanat get the money through other ways, he ends up finding himself in more trouble than he bargained for. Although life keeps dealing them bad hands, Saltanat and Kuandyk never give up, no matter what the odds.
Lições de Harmonia
Line Producer
Durante um exame médico, Aslan, de 13 anos de idade, é humilhado na frente de vários de seus colegas. O incidente libera seu transtorno de personalidade latente. Atormentado pela dúvida, ele se esforça por limpeza e perfeição e é obcecado por tentar controlar tudo ao seu redor. A compulsão de Aslan, que vive com sua avó em uma aldeia no Cazaquistão, o atrai a situações cada vez mais difíceis. Em seu primeiro longa-metragem dramático, Emir Baigazin delineia o choque entre um indivíduo e os mecanismos de marginalização e violência. Colocado contra a brutalização crescente da vida pública, e contado em uma série de quadros austeros e cenas simbólicas do reino animal, a história de um menino que se atreve a lutar se desenrola - e ao lutar, pode muito bem destruir a si mesmo.