Anne-Catherine Witt

A film that comprises in itself a form of dance – rather than a film about dance; an encounter between film and dance – rather than a film about a dancer. A documentary exploring Kō Murobushi’s dance and inner worlds, with purely cinematic means.

Every year teams of seasonal workers come to Solovki islands to harvest sea kale. They go out to sea and mow it from car-basses. As the last of the teams go back to Arkhangelsk in October, only a watchman and his dog are left to pass the winter.