Mercedes Tennina

Uma cidade de praia no Brasil. Fu Ang, Kai e Xiaoxin quase não se encontram nessa comédia sutil de mal entendidos. Mas ao longo de um verão, relações delicadas são formadas entre eles, como ilhas em águas infestadas por tubarões.

In his previous films, Hacerme feriante (2010) and Embodied Letters (2015), Julián D’Angiolillo managed to go deep inside two universes that, even though they take place in front of everyone, remained invisible and inscrutable, as though they were subterranean—that of La Salada fair and of the authors of political graffiti in walls. For Ongoing Cave, his third work, the director goes back underground, this time in a literal manner, in order to reveal the mysteries of speleology, the science that studies caves and caverns. Italy, Slovenia, Cuba; antiwar bunkers; an exploring, revolutionary ballerina; an electronic party in which the stalactites and stalagmites dance under the flashlights. Everything is part of the ecosystem of tunnels and people that D’Angiolillo connects on screen, through images in which what lies still comes to life.

This is not exactly a biopic about the famous comedian, champion of prank calls; is a film about Jorge, a clumsy and shy office worker who stutters when speaking in public and doesn't know how to approach the girl he likes. But Jorge is also, as those who know him well know, a faithful and very funny friend. And when one day, by chance, he ends up being the subject of a hypnosis session, he discovers that he has a new ability: to pick up the phone and become the irreverent Doctor Tangalanga to make those who need him laugh.

Chile, 1976. Carmen segue para sua casa de praia para supervisionar a reforma. Seu marido, filhos e netos vão e voltam durante as férias de inverno. Quando o padre da família pede que ela cuide de um jovem que ele abriga em segredo, Carmen pisa em territórios inexplorados, longe da vida tranquila a que está acostumada.

“Argentina, 1985” é inspirado na história verídica de Julio Strassera, Luis Moreno Ocampo e sua equipe de jovens juristas, heróis improváveis que travam uma batalha de Davi e Golias na qual, sob ameaças constantes e contra toda as possibilidades, ousam processar a ditadura militar mais sangrenta da Argentina e embrenham-se numa corrida contra o tempo para fazer justiça às vítimas dos militares.

A symphony of the city in the heights, the illness of a worker, the nightmare and his redemption.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

The investigation about an alleged international spy after the Nazi refugees in Argentina gives way to a plot that expands, becomes delirious and branches off. A mockumentary that has, at its center, an elusive woman whose trail can be traced in the most emphatic convulsions of the 20th century.

Mariel wants to play Isabella in Shakespeare’s “Measure for Measure”. With the support of Luciana, who is also an actress, she has already rehearsed the part. But during the audition, Mariel realises that Luciana is trying out for the same role.

Dando um tempo na relação com o namorado, Romina vai para Buenos Aires para ficar com a mãe e o filho. Ao tentar descobrir quem é após três anos de amor intenso pelo filho e um relacionamento exigente, ela vê amigos, descobre as possibilidades de um novo amor e reflete sobre sua descendência alemã.

While a rumor about the presence of sharks in a small beach town distracts residents, 14-year-old Rosina begins to feel an instinct to shorten the distance between her body and Joselo's.

As a child, Lucas falls in love with Ana. His story is truncated: she moves away and he loses track of her. Today Lucas does crossword puzzles and has almost zero love-sexual life. Meanwhile, his friend Santiago has a blind date with Verónica that ends after a few seconds. Verónica's neighbor is in a secret and quite toxic relationship.

Camila (Agustina Muñoz) é uma jovem artista que dirige teatro na argentina e que viaja para nova York para desenvolver uma tradução espanhola do clássico de Shakespeare "Sonho de uma Noite de Verão". Já nos Estados Unidos, ela começa a receber correspondências anônimas que a deixam preocupada com o seu futuro.

Camila (Agustina Muñoz) é uma jovem artista que dirige teatro na argentina e que viaja para nova York para desenvolver uma tradução espanhola do clássico de Shakespeare "Sonho de uma Noite de Verão". Já nos Estados Unidos, ela começa a receber correspondências anônimas que a deixam preocupada com o seu futuro.

Two women meet for a job interview that spills over into an intimate dialogue that encompasses their secret loves, fears, and dreams. Filmed entirely in a single shot and over the course of a single conversation, this one-of-a-kind indie won Best Argentine Film and Best Argentine Director at the 2013 Mar del Plata Film Festival.

A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.

Film in two cities divided by one river: Buenos Aires, Montevideo. Two cities divided by one story: the death of Francisco. One death divided in two parts: an investigation, an escape.

Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."

In the garden of a provincial summer house, a series of operations is carried out, involving a man, a woman and a group of individuals with certain convictions.

In 1971, the graphic and advertising artist Juan Fresán set out to film the story of Orélie Antoine de Tounens, the delirious Frenchman who 100 years earlier had proclaimed himself ‘King of Patagonia and Araucanía’, with his own constitution, currency and ministers. The film, titled "New France," was left unfinished, first due to lack of funds and then because its author had to go into exile. If the story is familiar to many today, this is because in the '80s Carlos Sorín made' The King's movie ', inspired by that frustrated shoot, in which he had worked as a cinematographer. In 2004, Fresán contacted Turturro to help him rescue the preserved film. Fresán died in that same year, but Turturro decided to retake the trace of that truncated film, exhuming unpublished materials, returning to their original settings and gathering testimonies, to illuminate the two stories - one within the other - that make up this true story, more strange and fascinating than any fiction.

”(…) Always green, up to 20 meters high. Right trunk, dark cut, slightly split, thin; rounded, broad, dense, dark, bright green, grayish or blackish crown. It has simple, persistent, hard leaves, with various shapes, ovate or lanceolate, 5 centimeters long ”.