Roman Hloch

Matylda (Jaroslava Ticha), que vive na zona rural Checa, está a tentar organizar planos de enterro de seu marido a perecer, Jan (Ludvik Kroner). Enquanto Matylda espera ter um funeral para Janna pequena cidade onde eles viviam, há complicações. Anos antes, Jan falou contra o governo comunista e, consequentemente, foi expulso da cidade. Quando Matylda não consegue convencer um político local para permitir a cerimónia, ela usa o funeral de seu marido como uma demonstração pública de dissidência.

In this Czech political allegory-cum-sci-fi adventure, ten teens from different schools find themselves chosen to take part in a special skiing workshop in the mountains. On the day of the seminar, eleven young people, each bearing an invitation, arrive. A massive avalanche occurs and the ski-lodge is cut off from outside contact. Unfortunately, food supplies are limited and the three instructors strongly advise that the youths work together to make do or choose someone to leave. Time passes and soon the kids learn that their “teachers” are not what they seem to be.

To the intolerant and bloody-minded Prague actor Bergner (Milos Kopecký) is the lead in Moliere's Misanthrope which he is studying now as tailor-made. On top of that he is malicious and he advises to the new actress Helenka (Dagmar Havlová) in such a way that she upsets the theatre director. If Bergner accuses somebody of a mischief and he is wrong, he never apologizes. When he almost crashes an older elegant lady by his car on the zebra crossing, instead of an apology he calls her an old ballet dancer... But in Brno's TV he takes part in a discussion on manners and he gives himself as an example of good manners and grace. In the train he meets a magic old man (Ladislav Pesek) who warns him and admonishes him to change his behavior. After he arrives to Prague the old man's threat comes true.

The town is waking up. The bus driver Josef Král is saying goodbye to his wife Vera who is in a state of advanced pregnancy. At the rolling mill, the master craftsman Mares is preparing for retirement, which is now only two days away. Elderly Simon who grows and sells vegetables at the market has problems with his wife. Their little home has to give way to a new development but the wife Simonka refuses to move out. The chairman of the workers' council has troubles with the miner Adam, who has started drinking. He doesn't know that Adam is getting divorced and fears he may lose his young son to his wife.

It is summer 1944. The war is far away from Slovak mountains for the time being. The head of forest management Borodác brings a new employee to complete the eight woodcutters work team of Czechs, Slovaks and one Pole - the young guy is Martin Uher, a former clerk form Prague. The eight tough men do not trust the newcomer at first, but as time is passing, they got used to him. After some time, Martin gets next to Julika, a young wife of the gamekeeper Tkác (Vlado Müller) and they begin to go out secretly. The gamekeeper knows that Martin had promised to cooperate with German Gestapo, after he had experienced a hard interrogation. In avoiding to be a grass, Martin leaves Prague to hide in Slovak mountains. Tkác wants Martin to inform on his colleagues who hide guns in the forest to ready to use them against Nazis.

Marta (Jana Brejchová) and Viktor (Vlastimil Brodský) celebrate the tenth anniversary of their wedding half-heartedly. They both think they don't suit together. While visiting Marta's friend Alena (Iva Janzurová), who just got married for the third time, they learn an interesting thing. It was a computer which selected a husband for Alena and she claims she is happy. The couple gets off after certain hesitation to a cybernetic institute, where the computer tells them that living together is a risk for them. At the same time the computer selects them ideal partners - Mrs Tuchlová, a doctor for Viktor, and Petr Karát, a music composer for Marta. By a coincidence Viktor and Marta meet wrong people.

It is the summer of 1945. A party of young people are enjoying the beginning of a new life to the full. For them this is the year one. One of them, law student Pavel, is more attracted to film than to law. With his eight-millimeter camera, he films everything that catches his attention. One day he captures an interesting face on film, a girl with an air of mystery. Pavel visits the girl, whose name is Helena, and meets hers and her elder energetic sister Olga. From Olga, he learns that the girls have spent the years of German occupation in a concentration camp and cannot forget the horrors they have lived through.

It is the 1920's. The good-looking hostess Věra demonstrates household robots to visitors of the Futurum exhibition. Young inventor Petr comes to her rescue when she tries to flee from two men wanting to take her away. Věra confesses that she has fled from home because her father, a factory owner, wanted to profitably marry her off. Petr is fascinated by the emancipated woman and shows her round his laboratory, where he plans to create a robot of his own - but one that would be far more advanced. Věra cuts herself on a broken test-tube and a drop of her blood gets in the solution. In the morning, they are taken aback to see Věra's double. This lucky chance has helped Petr create an artificial being, Miss Golem. She has a single motive for her actions: to take care of Věra and allow her to do only what is good for her.

An escort composed of three people transports a huge amount of new one-hundred crown banknotes in a special railway car. At the 196th kilometer, a village girl is waiting at the railway crossing and spots two men removing some packages from the track. The scene is immediately followed by the report of a gun and the unwanted witness is shot dead. Soon afterwards, on the 201st kilometer, the train explodes. Only one of the escorts Lenk (Radoslav Brzobohatý) survives the explosion, taken to hospital with serious injuries. Criminologist Major Kalas (Jirí Sovák) and the very young Second Lieutenant Karlícek (Jaromír Hanzlík) patiently gather facts, leads and testimonies.

At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.

The Ronov castle has been changed into a hotel, offering stylish facilities to its guests: weddings in the torture chamber, a Black Lancer kidnapping brides, a night's lodging in a family tomb etc. The reformed petty swindler Felix Pacínek (Bohumil Smída) runs the hotel. The business is far from thriving; the place is half-empty, and the jazz band Skeleton, together with their singer Zuzanka (Jaroslava Obermaierová), decide to leave. Nobody in the hotel has any idea that the band is in fact a gang of thieves who have just robbed the Prague State Bank, taking two million crowns from its vaults.

The exemplary accountant Antonín Safránek lives his orderly life as a citizen of a small town. His wife Eliska brings up their three children and desperately tries to get by on her husband's low salary every month. At the same time, she sadly watches the luxurious life of their neighbor and other people like him who have no qualms about improving their standard of living by cheating. One day, the infallible Safránek makes a mistake in the cash clearance and there are nine one-hundred Crown bills left in the safe. An unexpected company control carried out the next day passes without problems and the account is closed. The temptation is too strong. The insufficient control enables Safránek to gradually steal one million Crowns.

At the Ronov castle, the archive-keeper professor Nykl (Milos Nedbal) is searching for the lost painting The Naked Shepherdess by the famous Fragonard. Nykl is just about to disassemble the mantelpiece in the knight's hall, convinced that the painting must be hidden somewhere inside. His efforts, however, meet the strong disapproval of the castle manager, Anna Juzová (Jirina Petrovická), who knows very well where The Naked Shepherdess is. She wants to get hold of the painting herself, to emigrate and smuggle it along. In fact, Anna deals with forgeries of the most distinguished old masters, selling them abroad. The copies are made for her by the painter and restorer Maudr (Martin Ruzek) and the certificates of authenticity are issued by Anna's companion - expert Laburda (Karel Höger). One day, Anna is found murdered in front of the castle's fireplace.

Inspector Brumpby (Jaroslav Marvan) and the young crime reporter Allan Pinkerton (Vít Olmer) attend wedding of Sir Hannibal Morris (Oldrich Nový) with beautiful Clarence (Kveta Fialová). After the ceremony, Clarence's ex-husband, criminal Manuel Diaz (Waldemar Matuska), who was believed dead, shows up in her room. He wants to get his hands on Clarence and, most importantly, on the money she would inherit in the eventuality of her new husband's death. Diaz makes attempts on Hannibal's life. He knows his way about an underground labyrinth in the château and the traps he sets up for Hannibal seem to work, since Hannibal is apparently found dead after an explosion in the labyrinth, after which his body vanishes. The inspector tries to solve the countless mysteries. In this, he is joined by Allan, always ahead of the man of the law in his estimation and judgment of the situation.

In 1965, the experienced director Jaroslav Mach made a documentary film with staged scenes, which dealt with the current problems of popular Czech sport. Behind the scenes of football, the playmakers looked through slavoje's team, which is preparing for the decisive match. If Coach Ram doesn't force his boys to perform convincingly, they're in danger of relegation to league two. After a series of dramatic peripeteias, Slavoj takes the field so weakened that he is caught up in the dreaded failure. Fortunately, the club's fans will eventually take their anger out on the loss of "their" team to an innocent referee. The film also features criticism of officials... In addition to actors Martin Růžek and Bohumil Šmída, Machov's film appeared real footballers Dukla and period sports stars (e.g. František Plánička).

An anti-war black comedy set during the Thirty Years' War. The film combines live action with animation to suggest the artistic style of the engraver Matthäus Merian.

A film in five episodes, all based on an attempt to show the life of young people today, their feelings and relationships, their behaviour in public and private life.

A story of a young boy called Bobesh and his funny adventures.

In the beginning, the book of Bohumil Říha was about the aircraft of Kaneti. Both the book and the film that came out of it tell about children's parties spending their holidays near the sports airport. The newly scanned airplane first assigns to aliens, then suspects them of espionage, but in the end it will explain everything. Children will even find the courage to take part in an aviation trip. According to period reviews, the film was a bad thing to teachers, as they said it was inappropriate.

A poignant overview of how short life can be, this interesting drama from Czech director Vojetch Jasny is divided into four separate segments. In the first skit, a young child's impressions are observed as his newborn baby sister becomes a part of the family. In the second, a young woman falls in love for the first time one summer, and in the third, a tough, older peasant woman battles against the farming cooperatives. Finally, in the last segment, everything comes full circle as a woman who is about to become a grandmother dies while her daughter-in-law has not yet given birth.