Elena Afanasyeva

Filmes

Mariya - O Simbolo de Uma Guerra
Editor
Um emocionante drama de guerra que conta a história de Maria Petrova, em cujo destino, como em um espelho, o destino do país se refletiu: a filha de um padre, que renunciou ao pai e à fé, ela serve no NKVD. Na véspera da batalha por Moscou, Maria conhece a vidente anciã Matrona, e logo é Maria quem é encarregada de entregar a Moscou o ícone milagroso da Mãe de Deus, localizado atrás da linha de frente no território ocupado.
A Girl with a Scythe
Editor
On New Year Eve a girl with a scythe is going through winter Moscow. Who is she looking for?..
In a Love Access Zone
Editor
Welcome Home
Editor
New York-set comedy about a group of immigrants who have become hostage to their life choices.
Nine Days and One Morning
Editor
A story of adoption told without glamour and hypocrisy that usually accompanies this topic.Anna is a top model, who was adopted by a French couple as a child. She returns to her hometown with a charity mission from France.A story of an orphan turned princess becomes a legend in her native provincial town. Anna gets treated like royal person and everyone expects miracles from herAnna is confused and cannot understand what all these people want from her. She is used to a calm and logical western lifestyle. Her home is France, in Russia she is a guest. Horrified, she watches her photographer boyfriend Michelle, admire incomprehensible Russian mentality
Retrato do Crepúsculo
Editor
A história de uma mulher presa num casamento sem amor e num caso extra-conjugal sem paixão. Um trabalho ingrato como assistente social apenas reforça seu desencanto. Mas quando ela é estuprada por três oficiais de polícia, se transforma em uma criatura noturna aliciada pela depravação. Então ela passa a perseguir um de seus agressores.
Europe - Asia
Editor
inhale & exhale
Editor
A man invites a call girl to his place. He pays in advance for 10 hours of her time. He tells her about his ex-wife and happiness he once had. Her story is very similar to his. Why couldn't they keep their love? Can they return to their previous lives?
The Kopeck
Editor
In this movie we follow fate not a person but car: first Soviet Lada. It starts with Brezhnev daughter and then gradually moves on parallel to last years of USSR into wild after-perestroika years with bandits and newly born oligarchs.