Director of Photography
Elizabeth, ten years old, lives with her reclusive mother in a dilapidated apartment where fish infest the piping, surfacing by way of a drain in the bathtub.
Director
Elizabeth, ten years old, lives with her reclusive mother in a dilapidated apartment where fish infest the piping, surfacing by way of a drain in the bathtub.
Director of Photography
Concerning three groups of children from disparate upbringings, A Black Hole is a Black Hole in the Ground intimately depicts the strange, ephemeral realities that arise on evenings of play, when dimensions of space and time, not fully cemented by adulthood, begin to dissolve. Parking lots, hen houses, and brownstone apartments become the dwellings of many strange creatures; coyotes are rendered forest spirits, neighbors as martians, and night crawlers as flesh-eating meteorite worms. Employing sci-fi, documentary and ethnography techniques, a state of mind particular to early youth is sublimated - weight is lent to shadows as vast as space, ripe with discoveries both minuscule and immense.
Producer
Concerning three groups of children from disparate upbringings, A Black Hole is a Black Hole in the Ground intimately depicts the strange, ephemeral realities that arise on evenings of play, when dimensions of space and time, not fully cemented by adulthood, begin to dissolve. Parking lots, hen houses, and brownstone apartments become the dwellings of many strange creatures; coyotes are rendered forest spirits, neighbors as martians, and night crawlers as flesh-eating meteorite worms. Employing sci-fi, documentary and ethnography techniques, a state of mind particular to early youth is sublimated - weight is lent to shadows as vast as space, ripe with discoveries both minuscule and immense.
Director
Concerning three groups of children from disparate upbringings, A Black Hole is a Black Hole in the Ground intimately depicts the strange, ephemeral realities that arise on evenings of play, when dimensions of space and time, not fully cemented by adulthood, begin to dissolve. Parking lots, hen houses, and brownstone apartments become the dwellings of many strange creatures; coyotes are rendered forest spirits, neighbors as martians, and night crawlers as flesh-eating meteorite worms. Employing sci-fi, documentary and ethnography techniques, a state of mind particular to early youth is sublimated - weight is lent to shadows as vast as space, ripe with discoveries both minuscule and immense.
First Assistant Camera
Based on the performance manifesto, Your Healing is Killing Me, by Virginia Grise, Bryant and Livingston's video was produced as part of the workshop in the 2018 ImageTextImage program.
Assistant Camera
Jenny Secoma is an exorcist with not enough jobs, too many bills, and a liver that could use a day off. She’s not feeling too well at the moment. Paranoia and terror hound her at every corner. Sleepless nights, restless days, and the incessant pressure of an unceasing gaze. Something… or someone… is watching her. What could it be?
Director
"I Was Born Out Like a Fish" is a recollection combining partially imagined images and dreams from the filmmaker's childhood with the seldom-told family stories that inspired them.
Director of Photography
After 30 years of homelessness and busking, 71-year-old musician Susan Schneider (otherwise known as “The Space Lady”) is beginning to receive notoriety for her early contributions to electronic pop music, largely thanks to online word of mouth. Sophia Feuer’s film brings to light sensory, observational details from The Space Lady’s present life in rural Colorado—namely, her struggle to reclaim the music from the pain that encompasses it—while reflecting on her past.
