Sailaja Chatterjee

Filmes

Palanka
Cinematography
Rajmohan remains in Pakistan at the time of partition and sells Maqbool a giant bed, which upsets the local Muslims.
Matira Manisha
Cinematography
The family of Shama Pradhan, a rural farmer, and his two sons, Baraju and Chakadi, fight over the family home and land after his death.
Up in the Clouds
Cinematography
A young man still to find a place in the sun puts up an innocent bluff to a young girl he chances upon. They meet frequently since then. Bluffs continue to pile up. There is no way out. In a desperate bid the young man tries to break the wealth barrier. His friend, well placed in life, cautions him. He turns a deaf ear. The inevitable happens. The young man grows wiser but pays heavily for it.
And At Last
Cinematography
A film by Mrinal Sen.
Over Again
Cinematography
A film by Mrinal Sen.
Baishey Shravana
Cinematography
The tragic story set in the late 1930s, just before famine struck Bengal. It tells of the marriage of a dumpy middle-aged salesman of small goods to a beautiful teenager, and how, after initial days of happiness together, a series of misfortunes strike which slowly embitter the man.
Under the Blue Sky
Cinematography
Set in the turbulent 1930s, this is the story of a poor Chinese hawker selling his merchandise, Chinese silk, in the streets of Calcutta. This was the time when China was repulsing a brutal attack of militarist Japan and when an outraged Rabindranath Tagore wrote to his friend in Japan, the great poet Noguchi: “I wish your countrymen, whom I love so much, not success but remorse”. This film holds the dubious distinction of being the first to be banned (though temporarily) in independent India.