Writer
New performers have recently moved into the 130-year-old building of the Riga Circus. Having built a stage in the stables, actors Ance, Āris, Klāvs, Reinis and the other members of the theatre company Kvadrifrons are reinvigorating and preserving the tradition of live art in the circus. The name of the group is an acronym in Latvian that conveys their ethos: they are an organisation that can chill with their friends, have bursts of amazing creativity, and whose members are far from unintelligent. And all the while, the strong smell of elephants wafts through the building. Here and there, the life of the previous inhabitants makes itself known. Soon shamanistic rituals alternate with clowning around, fortune-telling with illusion juggling, stagecraft with personal choices. Then suddenly, out of Nothing… emerges Theatre.
Director
New performers have recently moved into the 130-year-old building of the Riga Circus. Having built a stage in the stables, actors Ance, Āris, Klāvs, Reinis and the other members of the theatre company Kvadrifrons are reinvigorating and preserving the tradition of live art in the circus. The name of the group is an acronym in Latvian that conveys their ethos: they are an organisation that can chill with their friends, have bursts of amazing creativity, and whose members are far from unintelligent. And all the while, the strong smell of elephants wafts through the building. Here and there, the life of the previous inhabitants makes itself known. Soon shamanistic rituals alternate with clowning around, fortune-telling with illusion juggling, stagecraft with personal choices. Then suddenly, out of Nothing… emerges Theatre.
A couple that does not fit into society’s accepted norms regarding women and men. Routine problems of everyday life that tend to take on immeasurable amplitudes push the film’s leads into a most intimate confinement, one in which thoughts and the answers to problems lead to dreams.
Producer
Vārdotājas (Wordsmiths) traces the recent rise of women's stand-up comedy in Latvia, but it is by no means just for laughs. Feelings of discomfort, shame, shock, are just some of the subjects tackled.
Editor
Harry Berzins is abducted by aliens. Traumatic experience gained is on a foreign planet, where the gray race rules and makes Berzins feel excluded. The only creature he believes is the odd Ufologist Vilma Kavace. While Vilma uses Berzins as an alien attraction bait, his mother, impregnated with a Latvian sperm on another planet, carries his child. Shieet.
Director
Harry Berzins is abducted by aliens. Traumatic experience gained is on a foreign planet, where the gray race rules and makes Berzins feel excluded. The only creature he believes is the odd Ufologist Vilma Kavace. While Vilma uses Berzins as an alien attraction bait, his mother, impregnated with a Latvian sperm on another planet, carries his child. Shieet.
Writer
Harry Berzins is abducted by aliens. Traumatic experience gained is on a foreign planet, where the gray race rules and makes Berzins feel excluded. The only creature he believes is the odd Ufologist Vilma Kavace. While Vilma uses Berzins as an alien attraction bait, his mother, impregnated with a Latvian sperm on another planet, carries his child. Shieet.
Editor
Writer
Director
Writer
Trains and railroad tracks are the unifying elements in this found footage film made out of fragments from feature films produced in Latvia from 1958 to 1989. It’s a cinematic journey into the world of dreams, filled with memories, desires, and the incessant quest for the ever-elusive happiness. The trains have played an important role in the history of cinema. A lot of interesting phenomena are linked with trains – locomotion, changes, an opportunity to think, dynamics, force, sense of something important… It helps to cross the usual boundaries.
Writer
Lonely, 45 year-old worker Kasandra has just received a lethal diagnosis from her doctor. She goes to her high school reunion, confused, and is faced with phantasmagorical events that completely shatter her daily routine. Kasandra flees from the city. In the forest, she is engulfed by a river and brought to a secluded sea shore. Alone and over time Kasandra experiences an unusual healing and rebirth.
Director
Lonely, 45 year-old worker Kasandra has just received a lethal diagnosis from her doctor. She goes to her high school reunion, confused, and is faced with phantasmagorical events that completely shatter her daily routine. Kasandra flees from the city. In the forest, she is engulfed by a river and brought to a secluded sea shore. Alone and over time Kasandra experiences an unusual healing and rebirth.
Writer
Baltic German Alice Fon Trota returns to her father’s manor in Latvia in 1919 to sell it and start new life. She meets hostile resistance of local workers and discovers she has been lured into a carefully tailored trap, organized by demonic lawyer Emil Keizerling, decadent underground organization “Viva La Mort” and its necrophile leader Zība Falstaff. They plan to manipulate with Alice, who has received good education in France but also had suffered severe physical traumas. Knowing that her deepest desire is to carry out her unexpressed creative talents, they want to use her potential for their demoniacal purposes that regard the future of Latvia. While escaping the clutches of her “helpers”, she meets Latvian silent cinema enthusiasts. While being with them and working with cinematograph, she learns to use it as a self-discovery tool, as a weapon of confrontation of her enemies and as a way to transform her healing wounds by creating masterpiece of silent cinema.
Director
Baltic German Alice Fon Trota returns to her father’s manor in Latvia in 1919 to sell it and start new life. She meets hostile resistance of local workers and discovers she has been lured into a carefully tailored trap, organized by demonic lawyer Emil Keizerling, decadent underground organization “Viva La Mort” and its necrophile leader Zība Falstaff. They plan to manipulate with Alice, who has received good education in France but also had suffered severe physical traumas. Knowing that her deepest desire is to carry out her unexpressed creative talents, they want to use her potential for their demoniacal purposes that regard the future of Latvia. While escaping the clutches of her “helpers”, she meets Latvian silent cinema enthusiasts. While being with them and working with cinematograph, she learns to use it as a self-discovery tool, as a weapon of confrontation of her enemies and as a way to transform her healing wounds by creating masterpiece of silent cinema.
