Ana Belén

Em busca de importância e prestígio social, um empresário bilionário decide fazer um filme que perpetue seu legado. Para isso, ele contrata um time formado pela famosa cineasta Lola Cuevas e dois atores renomados, donos de enorme talento, mas com um ego ainda maior: o ator hollywoodiano Félix Rivero, e o ator de teatro radical Iván Torres. Ambos são lendas, mas não exatamente melhores amigos. Através de uma série de provas cada vez mais excêntrica estabelecidas por Lola, Félix e Iván devem enfrentar não apenas um ao outro, mas também seus próprios egos.

Fernando Fernán Gómez (1921-2007), actor, writer, playwright and film director, was for decades one of the most important figures in Spanish culture. His close friends and relatives reveal another facet in which he stood out above all: that of being an excellent conversationalist, capable of hypnotizing and seducing those who listened to him.

An account of the life and work behind the camera of Spanish filmmaker Pedro Olea, whose very personal viewpoint, interested in all kinds of subjects, approached in very different ways, but always with a very characteristic style, has analyzed the social and political life of Spain for more than five decades.

She appeared when Spain was waking up from a long post-war period and crying with melodramas starring children, a child prodigy unlike any other; a girl who, in time, would become a symbol of freedom and a total artist. Actress, singer, friend, lover. This is the story of Ana Belén.

In Spain, on May 11, 1896, at the Price circus, the first moving images ever shown in the country are projected. From that event, the Spanish actor Antonio Resines intends to compile a series of anecdotes to shape the amazing history of Spanish cinema, holding several conversations with prominent figures of the Spanish film industry.

A journey through the different creative facets of Luis Eduardo Aute: singer and songwriter, painter, poet, filmmaker. Collaborators and friends tell the life of this total artist and reveal the impact his work has had in the past, has in the present and will have in the future.

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

The 70th anniversary of the “Fotogramas” magazine comes in the shape of a sentimental voyage through the history of Spanish cinema thanks to a mosaic of voices represented by people who make films, those who write them and those who consume them. The documentary pays tribute to the readers of “Fotogramas” helped by the leading figures of Spanish cinema, who will read to the camera the most representative letters received at its offices in the history of the magazine.

Depois de suas experiências na Alemanha nazista, a atriz Macarena Granada viajou para Hollywood, onde se tornou uma estrela. Nos anos 50, a diva retorna à Espanha franquista para estrelar um sucesso de bilheteria de Hollywood sobre a rainha Isabella I de Castela.

Performed at Las Ventas Spain, In celebration of Raphael's 50th anniversary as a performer, this comprehensive collection offers incredible videos from throughout his career. The vaunted Spanish singer and actor first hit the stage as a toddler, and has since played with the biggest Latin artists such as Juanes, Rocio Jurado, Miguel Bose, and many more. 50 ANOS DESPUES features 18 hits including "A Mia Minera," "Cantares," and "Adoro."

What we tend to identify with the acting profession has little to do with what is really this profession. Thirty-six Spanish actors reflect on their work and contrasted their experiences. As thread, the contrast between the voices of veterans and images of young theater students , for whom everything is still possible. Among the many actors are interviewed Javier Bardem, Antonio Banderas, Victoria Abril, Carmen Maura, Fernando Fernán Gómez, José Luis López Vázquez, José Coronado, Emma Suarez, Alberto San Juan, Ariadna Gil, Ana Belén, Pilar Lopez de Ayala and many other.

Hortensia is a mature officer of the INEM office. She has been abandoned by her husband so she doesn't believe in love anymore. One day Eduardo Fernandez goes to the employment office because after overcoming a deep depression, he has decided that his life has to get better.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

An abused wife (Cecilia Roth) seeks information about her dead mother, a freedom fighter buried in Antigua.

A woman seduces a hotel janitor to gain access to the famous musicians coming into town.

At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the group and eventually goes to the front. The women's group faces the problems of fighting not only the nationalists, but also factions on the left seeking to impose a more traditional military structure.

A young woman’s passion forms the basis of this erotic Spanish drama adapted from a popular novel by Antonio Gala. The night before Desideria’s marriage, her girl friends give her some valuable advice on sex. The marriage takes place, and while it is generally happy, her husband Ramiro suffers from sexual dysfunction and Desideria is frustrated. The two end up on holiday in Istanbul with two friends. Desideria falls madly in love with the sensual ambiance of the ancient, teeming city. She begins a passionate affair with a handsome Turkish guide, Yaman. Upon her return home, she learns that she is pregnant. Ramiro agrees to support the child, but unfortunately it dies in infancy and the grieving Desideria flees for Istanbul to find her lover. She finds him and they renew their torrid affair. Later she learns some distressing things about Yaman, but this does not stop her from becoming his sexual slave and a call girl for wealthy carpet sellers.

In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

Dostoevsky-inspired drama set in 1900s Prague about a bored arrogant playboy who spends time seducing other men's wives and dueling. He begins an affair with his friend's wife, but falls in love with her.

Amós is a sailor and owner of a ship. He is impatient with the arrival of his uncle who returns from the Soviet Union, after having exiled there after the Civil War. They have no time to meet because the old man unexpectedly dies. Amos knows, thanks to the letters his mother received, that his uncle had a treasure. However, this one is not among the objects that were in the old man's room.

Carmen, a journalist with two children, is on her third marriage, to Antonio, a record producer. Over the course of a year, we follow her through her discontents: Antonio's lateness, his fatigue when she wants to make love, his insistence on her company when she prefers solitude, his treating her work as less important than his, his casual and cruel dismissal of her opinions, her boss assigning her an incompetent editor, bartenders ignoring her, her passage into middle age. She can be feisty and edgy, which sometimes gets in the way of what would make her happy. And she regularly threatens to leave Antonio. Will she, and on what terms? What will he do?

A film team arrives at a more authentic and old square in Madrid to shoot a film. The area is full of children, working families and simple people who see the cinema as something unattainable. From his balcony, Paloma, does not lose detail of the shooting, nor of the movements of the gallant, for which he feels a strong attraction.

A woman's father dies in a Central American country and leaves her a bizarre inheritance: a ship which acts as a floating brothel under the appearance of being a restaurant. Alejandra, our heroine, decides to put an end to the ship's dissolute activities and use her inheritance as a school. Customers, cooks, waiters and the girls will meet her idea with considerable resistance.

A work of Valle-Inclán, the story takes place in Galicia in the early twentieth century. To escape poverty, the wife of a sacristan uses a hydrocephalic child as a sideshow attraction. This causes a confrontation with her sister-in-law.

After the death of her husband Bernarda Alba puts her daughters under a rigurous mourning which does not even allow them to leave the house.

Beatriz is an attractive young lawyer who enjoys an enviable position thanks to the influence of his father, a prominent businessman. Lucas, a young guy with a rather shady past, struggling to emerge from the unfavorable situation in which life has placed him. When Lucas is arrested with a stash of cocaine adulterated becomes a client of Beatrice. The pure cocaine has hidden with intent to distribute it only with your partner Uriarte, for it has had to deceive another of his buddies into thinking that the business has failed.

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

Five Argentinian women, with missing relatives from the military dictatorship that ruled the country, explain their emotions and feelings about all that happened.

Juan is the handsome, irresponsible, best-loved second son. When his older brother, who runs the family's black-market business with their steel-willed mother, marries Juan's lover Ana, Juan heads for Madrid to work for Franco. Juan also leaves behind his impoverished cousin, Ángela, pregnant with his son. Jump ten years. Juanito, the lad, has rheumatic fever. The doctor says to pamper the boy. Ángela, Ana, and his grandmother comply. As Juanito recovers, his father returns in desperate need of cash; Juanito witnesses a theft blamed on his innocent mother. Things come to a head at a saint's-name party for father and son. Jealousies, betrayals, and a bullet converge.

As in the novel of the same title from Camilo Jose Cela, "La Colmena" is a sad composition with the stories of many people in the Madrid of 1942, just the postwar of the spanish civil war. The main theme of the film is the contrast between the poets, surviving close to misery under the Franco's regime, and the winners of the war, the emerging class of the people that makes easy money with illegal business.

The second part of the documentary "Después de...", "Atado y bien atado" presents the sensitivity that existed in different areas of Spanish society in its young democracy concerning its future, where the fear of a sector was underlying ultra-conservative before the construction of a different country and that already announced the attempted coup d'état of February 1981. Without a doubt, this work —which could not be released until 1983— places Cecilia Bartolomé and her brother as precursors of the social documentary that will have an enormous development and that today continues to be crucial in Spanish film production.

Based on the life of Dolores Ibarruri (La Pasionaria), president of the PCE. The film is a documentary, prepared over three years with archive material from Moscow, Berlin, Paris, Havana, Yugoslavia and Basque and Spanish film libraries.

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

XVII century Spain. Don Pablo tries to climb position and falls into the hands of students, rogues, whores, fake skilled, executioners, jailers and comedians. Based on "The Buscón called Pablos" Francisco de Quevedo.

After Paula's suicide, her best friend, Ana, recalls the circumstances that united both women in the past and how they lived a close relationship that could have become more than just a friendship if social conventions had not prevented it.

Ana works side by side with her mother Maria Rosa in the fight to save the anti-Franco militants from the death penalty during the process of Burgos. Ana's mother is a former actress and Ana, her mother and a few other actors prepare an act of protest in the theater where an international festival on Strinberg is being held. But there are more things in Ana's life. The mother lives with her uncle, the brother of his father, Norman, an old doctor of devious methods. Helped by Fatima, an old nurse who loves her father, the doctor will try to experiment with Ana's ideas and feelings as well

Tender and erotic love story of a respectable bourgeois housewife and a large black Alsatian dog. Shot in 1977, the film employs bestiality as a symbol of Spain's political landscape. It makes references to the massacre of Atocha and to political right wing groups that, after the death of Francisco Franco, tried to maintain the dictator’s political ideals.

A young middle class Catalan reflects on the monotony of his life alongside a loose young female with whom he maintains a sexual relation and that will end up telling him the story of her cousin Montse: a social worker who falls for a criminal, therefore causing a great scandal in her family.

An ambitious young woman from a wealthy family, but unsatisfied with her social position, will not hesitate to use all that is within her reach to achieve her ascent in society.

Enrique lives in a city in the northwest of Spain. He is married to Alicia and has two daughters: Pilar, 23, and Carmen, 8. Enrique made the civil war on the national side, which in his youth led him to cross Spain from Galicia - his native land - to the Mediterranean. And now he wants to remember his adventure and offer it to his family, especially Pilar. The four travel the country treading where Enrique had stepped. But the trip will be much more complicated than expected ... A film made when the Franco dictatorship gave its last breaths and, thanks to it, could launch its timid message that we must forget the past and always look to the future, no matter how glorious it is. To highlight the presence of some young Ana Belén (with nudes included

A useless kidnapper tries to kdnap a rich industrialist.

During the last years of Franco's dictatorship, Fernando, an old Republican exile, returns to his home in the Castilian village of Trescabañas and befriends Aurora, a young and very attractive teacher, with whom Juan, one of her teenage students, falls in love.

A rich emigrant returns to Madrid where he meets the beautiful Amparo . The girl, however, lives a secret affair with a priest

Enrique is a thirty-year-old lawyer who is married to Ana. Apparently he is a normal man who has only one obsession: the commercials. He feels a real passion for the erotic world of the ads either in billboards, trash cans, public transport, magazines or television. The continuous publicity bombardment ends up leading him towards a neurosis that changes his personality.

On an island buffeted by storms, the seamen are confined with no desire to abandon the life by the sea. They spend days and nights drunk in the tavern. The young woman who serves them has one desire: to go far away. This sets the stage for a musical in the open, and will frame a story of love and adventure, reminiscent of the director's film Aoom.

Newlyweds have decided to spend the honeymoon in the middle of a forest and sheltered in a caravan. Relations between the two start to get confused, especially when she begins to obsess over a nearby house and with eyes that seem to spy on her with lust.

In the early 70's, more than forty thousand Spanish in Paris working as maids. Few had crossed the border before, and most had not even left her village. These girls are Emily, who has left behind the hard times and has adapted to the big city, Isabel struggling to her sonthat she had with a man who abandoned she, Dioni, who thinks only of early money, and Francisca, a woman who knows nothing and is lost in life.

Ana Belén is the daughter of a powerful businessman, widower. They live in a luxurious mansion, but she's not happy because his father does not pay much attention to her. One day go to the circus, where he meets Zampo, an old clown who will be a good friend. His father thinks that clowns are just useless and unsuccessful men, so Ana prohibit you go to the circus, but she ignores him ....

The story will begin with the suicide of a finance man on a golf course. After the death of the banker, the chain effect will lead to the emergence of the true social natures of the elite class. A journey from the most humble to the most powerful, and like all of them, deep down, they are made of the same material. A social film that offers a different approach to the components of life in society.