Philip Shipway
Nascimento : 1912-02-21, Winnington, Cheshire, England, UK
Morte : 1968-04-20
Associate Producer
Rogues Jelly Knight, Scapa Flood, and Lennie the Dip leave prison expecting boss The Duke to have their stash ready to share out. Instead, Duke's girl Sara gives them the news Duke is dead and the money gone on nursing care. They soon discover that Duke is actually running Hope Springs Nature Clinic with the help of most of the local villains. Very strange - and the nearby army camp and Sara's encouragement of Lieutenant Vine would seem to be no coincidence either. Written by Jeremy Perkins
Production Manager
After he is orphaned by an air raid on Port Said during the Suez Crisis, a young boy attempts to go by himself from the Suez Canal to Durban in South Africa where his nearest relative, Aunt Jane, lives. On the way he meets a variety of different people who help or hinder his journey - including an ageing diamond smuggler.
Production Manager
A government team researching cures for plague find their results put on the Official Secrets list. One of their number is so incensed by this that he lets the maimed and jealous companion of a female colleague draw him into what, technically, could be a treasonable act.
Assistant Director
A seedy London promoter turns a naive, working-class teenager into a pop singing sensation.
Assistant Director
O ducado de Grand Fenwick decide que a única maneira de se livrar de seus problemas econômicos é declarar guerra aos Estados Unidos, perder e aceitar a ajuda estrangeira. Eles enviam uma força de invasão a Nova York (armados com arcos e flechas), que chega durante um exercício nuclear que deixou as ruas desertas. Vagando pelas ruas desertas em busca de encontrar alguém para se renderem, eles descobrem um cientista com uma arma moderníssima que pode destruir a Terra. Quando eles capturam o cientista e sua bomba eles ficam diante de uma nova possibilidade: O que você faz quando você ganha uma guerra?
Location Manager
Drama set in an Italian prisoner of war camp during World War 2, where a group of British soldiers find their plans for escape thwarted by a mysterious traitor in their midst.
Assistant Director
Jim Dixon feels anything but lucky. At the university he has to do the bidding of absent-minded and boring Professor Welch to have any hope of keeping his job. Worse, he has managed to get entangled with unexciting but neurotic Margaret Peel, a friend of the Professor's. All-in-all, the pub is the only friendly place to be. His misery is completed at a dreadful weekend gathering of the Welch clan by the arrival of son Bertrand. Not so much that Betrand is loud-mouthed and boorish - which he is - but that he has as companion Christine Callaghan, the sort of marvellous and unattainable woman Jim can only dream about.
Assistant Director
Roger Thursby is an overly keen, newly-qualified barrister who rubs his fellow barristers up the wrong way. When he is thrown in at the deep-end, with a particularly hot-tempered judge and tricky case, Thursby learns how to prove himself not only to the judge and fellow barristers but also to the public gallery.
Assistant Director
Stanley Windrush has to interrupt his university education when he is called up towards the end of the war. He quickly proves himself not to be officer material, but befriends wily Private Percival Cox who knows exactly how all the scams work in the confused world of the British Army. And Stanley's brigadier War Office uncle seems to be up to something more than a bit shady too - and they are both soon working for him, behind the enemy lines.
Assistant Director
The trouble with Josephine is that her ever-loving and over-sympathetic nature leads her to switch from needful men to even more needful men...
Assistant Director
In a small town in the 1950's a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's directors. The producer doesn't try to hide his annoyance about it, and is further exercised when the authoress herself arrives to help. The cast have to try and sort out real-life problems that keep intruding as they wrestle with the play's dire dialogue.
Second Assistant Director
When her husband is wrongly accused of murder, an opera singer sets out to find the real culprit.