Charlotte Tourrès

Here is the “lower-risk consumption room”, the drug injection room that opened in October 2016 in a building at Lariboisière Hospital in Paris. A place that the film never quits, except for a few seconds out on a stretch of pavement, as the credits open. One or two shots are enough to establish the exterior and remind us of the hostility of some nearby residents – the glimpse of a board tied to a window: “No to the drug injection room”.

Não Haverá Mais Noite é baseado em gravações de vídeo das forças armadas da França e dos EUA no Afeganistão, Iraque e Síria. O filme desvia das imagens de propaganda e mostra quão longe o desejo de ver pode levar quando usado sem limites.

An 87-year-old man oversees the interior renovations of his luxurious property. Satisfied with his new house, he invites various people to come over to visit. This film is the second part of a trilogy that offers a kaleidoscopic portrait of a highly unusual character.

A man turning 50 (Walter Faber) narrates his liaisons with three women: Hanna, who was pregnant and left him many years ago in Zurich; Ivy, who broke up with him recently in New York; Sabeth who is 20 and whom he just met on a boat to Europe. Sabeth and the narrator travel to France, Italy and Greece. But who is Sabeth? What does she feel towards the narrator? What does he feel towards her? The entire movie is shot in subjective view (we only see what the narrator sees); there are no dialogues, just his post-synchronised voice.