Editor
Witnessing the political left's steady electoral decline over two decades of neoliberal rule, Dutch author and journalist Johan Fretz explores what, if anything, remains of his country's Labour Party and its once-powerful ideals.
Editor
Jesse and his girlfriend are silently driving their car at night, when he motions her to stop. In front of the car, they see a strange object. When Jesse gets out and approaches the mysterious colossus, it crackles. The first taps turn out to launch a rapidly escalating express train full of secret desires.
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Business analyst Andriy, loaded with his work affairs and responsibilities, takes care of his father's post surgery rehabilitation. Trying to be in several places at the same time and worrying about the needs of others, Andrew forgets about his own.
Editor
On a drive back home in a dirty car, three young women talk about other people. Their conversation flows naturally, and takes them into uncharted territory.
Editor
The film begins and ends in a shopping centre in Hong Kong. We carefully observe the smooth movement of the escalators, the constant flow of people that never stops, the musical fountain that presides over the centre of the internal courtyard, as if this gigantic complex could concentrate the circulation of the entire city, or even, the entire country. From there, it will be more a tale about concrete, enormous port warehouses, glazed galleries built for the 2010 universal exhibition, overpopulated tower blocks, the fragments of still recent colonialism...
