Assistant Editor
Cédric é suspenso do trabalho depois de viralizar por beijar bêbado uma repórter. Preso em casa com sua esposa exausta e seu bebê, Cédric embarca em uma viagem terapêutica para se libertar da misoginia. É quando Amy entra em cena: uma babá misteriosa que virará suas vidas de cabeça para baixo.
Editor
A man, that animal which shapes its environment, which also shapes its brain. A fog, a bit harder than the air – the dust of stones. A hexagonal structure, like a monolith of which one dare not ask questions. Two hundred kilometres from Beijing I found a sculpture factory where men lived amidst rocks that were waiting to be broken, cut, polished. The same gestures come back again and again to write a history of deterioration and repair. This history is obliterated in the making of monuments. With the wind that inexorably scatters the traces of these actions.
Editor
A. is obsessed with his image. Like a post-modern Narcissus, he projects himself in the endless choices that social media devices offer him. Riccardo Giacconi creates a disquieting film about a teenager who gets lost in the maze of the never-ending reproductions of his Dorian Grayesque portrait. Taking to new and yet unexplored extremes, the fixation with the digital screens in their many guises, the film works like an almost endless fall – without any kind of parachute – through the network of images hidden behind and inside other images.
