Jessica de Koning

12-year-old Jackie has made Amsterdam's Rijksmuseum, where her mom works, her second home. While wandering around after hours, Oopjen from Rembrandt's famous painting suddenly comes to life. It seems she is looking for her long lost sister. Jackie is used to solving other people's problems and decides to take Oopjen home, so they can go look for her sister. For the woman from the Golden Age, this modern world, its customs and appliances are a great adventure. And Jackie, who doesn't really have any friends at school, finally gains a true BFF.

A história segue um agente secreto, uma vez elogiado, mas muito velho, Adereth (Ben Kingsley), que é considerado passado por seus superiores. As estrelas de Itay Tiran (“Líbano”), uma jovem operadora enviada para rastrear o personagem enigmático de Adereth e Bellucci, encobre as linhas, como quem está caçando, quem se torna a questão em um mundo de intriga e decepção.

Walking in the forest without being able to see, coming down the stairs or going shopping when one is paralysed, falling asleep with post-traumatic stress disorder: for the protagonists of Buddy, all of this is made possible by the presence of an assistance dog at their side. Edith, 86 years old and blind since adolescence, remembers all of the dogs she has had with her, and their portraits—even if she cannot see them—cover the walls of her house.

Ashes (2002-2015) a double video projection, tells the story of a young Caribbean man known by this name. In 2002 while shooting Caribs' Leap in Grenada, McQueen met and filmed a young man called Ashes, but the footage was not used. Many years later he learned that Ashes had been killed. McQueen decided to create a tribute to him, combining old and new footage. On one side of the screen, Ashes is full of life, his boat moving towards a seemingly unending horizon. The other side shows his tomb being constructed and the etching of a memorial plaque for his grave. Over the soundtrack, two local men tell the story of Ashes's untimely death.

Static was filmed from a helicopter circling around the Statue of Liberty in New York Harbour. It was shot shortly after the monument was fully re-opened following the September 11th attacks. Flying alongside the statue, the camera presents us with startling close-up views of its oxidised copper surface. The continual sense of movement is disorienting, undermining its sense of permanence and stability.

Rotterdam, 1920. Um jovem advogado é preso, acusado da morte de um político importante. Ao defender sua inocência perante a polícia, ele conta a história de sua vida, revelando ser o filho bastardo do morto, um homem cruel que sempre o perseguiu. Baseado num clássico da literatura holandesa, cujo estilo remete a Charles Dickens e Franz Kafka.