Editor
A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.
Director
A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.
Director of Photography
Writer
Director
Director
Editor
A portray of French actress Françoise Dorléac
Cinematography
A portray of French actress Françoise Dorléac
Director
A portray of French actress Françoise Dorléac
Director
Director
Director
Director
Editor
Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. Cultivando a arte do contrapé, ele atravessou meio século de cinema francês.
Writer
Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. Cultivando a arte do contrapé, ele atravessou meio século de cinema francês.
Director
Um perfil de Jean-Paul Belmondo por seus pares. Além de fazer mais de oitenta filmes, o ator também brindou seu público com as cenas perigosas em que dispensou o dublê, seu riso, as brincadeiras, uma desenvoltura e impertinência refrescantes. Cultivando a arte do contrapé, ele atravessou meio século de cinema francês.