Associate Producer
In 1971, Uruguayan journalist and writer Eduardo Galeano published his landmark work Open Veins of Latin America, in which he comprehensively described the centuries of economic exploitation of Latin America. Almost 40 years later, filmmaker Gonzalo Arijon reevaluates the situation. His search takes him from the soybean plantations of the Brazilian Amazon to the tin mines of Bolivia to the deep jungles of Ecuador. Arijon’s politically committed film allows the local populations to speak for themselves, interspersing this with archival footage of speeches by Hugo Chávez, Lula da Silva and Evo Morales. Galeano himself also speaks—sometimes in poetic language— about how the rise of socialist governments in the early 21st century is benefitting Latin America, and what more can be done.
Screenplay
Forty million people and countless species of flora and fauna depend on the rivers of the Rio de la Plata basin. But there is a development initiative, the Paraguay-Paraná Waterway Project, which aims to change the natural courses of these rivers and build a “Super Highway River” for the transport of grain and raw materials. If this project is implemented, what will the consequences be for society and for the environment?
Director
Forty million people and countless species of flora and fauna depend on the rivers of the Rio de la Plata basin. But there is a development initiative, the Paraguay-Paraná Waterway Project, which aims to change the natural courses of these rivers and build a “Super Highway River” for the transport of grain and raw materials. If this project is implemented, what will the consequences be for society and for the environment?
Screenplay
This documentary examines the problems of Uruguay's Atlantic coast in the face of a scheme to exploit the area's tourist resources that is not geared to sustainable development.
Director
This documentary examines the problems of Uruguay's Atlantic coast in the face of a scheme to exploit the area's tourist resources that is not geared to sustainable development.
Screenplay
This is a marsh area in the very heart of the protected wetlands in the east of Uruguay, but today it has almost completely disappeared. A message in the guaraní language, an "India Muerta" prayer, sounds the alarm about the dire consequences for nature of what human beings are doing.
Director
This is a marsh area in the very heart of the protected wetlands in the east of Uruguay, but today it has almost completely disappeared. A message in the guaraní language, an "India Muerta" prayer, sounds the alarm about the dire consequences for nature of what human beings are doing.
Screenplay
In the east of Uruguay there is a little-known region of vast wetlands in a beautiful natural setting which is a sanctuary for thousands of species of flora and fauna. Although it is officially protected, it is under threat from rice producers who are draining parts of the area.
Director
In the east of Uruguay there is a little-known region of vast wetlands in a beautiful natural setting which is a sanctuary for thousands of species of flora and fauna. Although it is officially protected, it is under threat from rice producers who are draining parts of the area.
Screenplay
The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Director
The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.
Producer's Assistant
A produção é uma sátira aos filmes bíblicos e à intolerância religiosa. Na Palestina do ano 1 d.C., três reis magos trazem presentes à mãe de Brian, confundindo-o com Jesus que nasceu no mesmo dia, na manjedoura ao lado. Brian, depois de crescido, engaja-se em um dos muitos grupos revolucionários que se opõem ao domínio romano. Após tentar seqüestrar a mulher de Pôncio Pilatos com seu grupo, ele é visto como Messias pela uma multidão, ávida por lideranças religiosas.
Production Coordinator
In 1979 filmmaker John Samson went on the road with a 22-year-old Eric Bristow, one of the rising stars of British darts. This film depicts Bristow between major competitions as he travels around the pubs and working men's clubs of Britain, challenging the local heroes and playing exhibition matches. Bristow takes on all-comers and breezily faces down a belligerent local radio host.
