Bartosz Bieniek

Filmes

Long Day Tomorrow
Cinematography
In Jeevodaya, there is an educational and therapeutic centre for lepers and their families. Helena Pyz came here from Poland thirty years ago to help sick and hungry children. Over the years, she has begun to feel her weakness more and more acutely but the strength of her character does not allow her to surrender to her own illness.
Fighter
Camera Operator
MMA fighter loses everything due to some bad life choices. Now local gangster make him back to the sports. But this time he will fight in the boxing ring.
Totart, czyli odzyskiwanie rozumu
Cinematography
A documentary about Totart, an artistic formation from Gdansk whose iconoclastic and mocking appearances shook up the grim People's Poland reality of the 1980s. It is also a story about the phenomenon of the group's spiritual leader and ideologue Zbigniew Sajnóg and his surprising accession to the Niebo cult.
Overboard
Director of Photography
Adam (Michał Kowalski) – a yacht designer is a workaholic neglecting his family. Now he has to face one of the most important decisions in his life. Does the affection from his childhood, a reminiscence of taking part in the Sea Fishermen Pilgrimage will give him strength to fight for make an order along his private matters? Film is based on a short story by Wojciech Paweł Kowalewski "Usual Sunday" and refers to Third Commandment - as a part of film cycle produced within the project „Dekalog89+”. Bartosz Paduch is one of the ten young directors which has taken the challenge of making new film on the Decalogue Commandment's impact for young generations, due to the project made on 20th anniversary of launching the famous "Decalogue" by Krzysztof Kieślowski.