Cam Archer

Cam Archer

História

From Wikipedia, the free encyclopedia. Cam Archer (born 1982) is an American independent filmmaker and photographer residing in Santa Cruz, California. His feature debut, Wild Tigers I Have Known, premiered at the 2006 Sundance Film Festival. The film was executive produced by filmmaker Gus Van Sant and producer Scott Rudin. The film follows a 13-year old boy coming to terms with being gay, and was photographed by frequent Archer collaborator Aaron Platt, whose work earned a Best Cinematography nomination at the 2007 Independent Spirit Awards. Archer graduated from UCSC. Archer has also directed numerous short films and music videos, including work for Current 93, Emily Jane White, Mick Turner, Sarabeth Tucek, Six Organs of Admittance, Xiu Xiu and Zero 7. Description above from the Wikipedia article Cam Archer, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Perfil

Cam Archer

Filmes

Cam's Mementos
Director
To better understand what he has, filmmaker Cam Archer revisits former subjects, rephotographs them, and seeks new inspiration.
Altered Innocence Vol. 1
Director
Nearly 3 hours of LGBTQ and Coming-of-Age short films and music videos await you in the debut of Altered Innocence’s cinematic mixtape supreme! Films from established auteurs like Peter Strickland, Cam Archer, João Nicolau, and Yann Gonzalez join fresh new voices such as Alexis Langlois, Shaun Hughes, Caroline Poggi, and Jonathan Vinel. Cruising, dancing, naked wrestling, trans terrorism, first love, bullies, femme fatales, band practice, and more is in store! The short films are: After School Knife Fight (2017); Bunny (2018); Doors Cut Down [En malas compañías] (2000); Gabber Lover (2016); Wild Haggis [Gambozinos] (2013); GUO4 (2019); Hunt [Jakt] (2018); Terror, Sisters! [De la terreur, mes sœurs!] (2019). The music videos are: 'Les vacances continuent' by Perez (2015); 'Niemand' by Kompromat (2019); 'Our Time' by Imperial Teen (2002).
His Image
Director
An amplified sense of place that nonetheless leaves one feeling unmoored, the destabilization of loss layered with a new, raw potential...these relatable states of being are invoked through image and voice in Cam Archer’s new film His Image.
Their Houses
Camera Car
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Their Houses
Sound
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Their Houses
Production Director
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Their Houses
Editor
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Their Houses
Screenplay
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Their Houses
Director
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
Shit Year
Writer
Renowned actress Colleen West abandons her successful career for a secluded life in the hills. But the quiet and peace of mind she longed for is disrupted by the noisy construction of neighboring housing developments. Before long, Colleen discovers that she really can’t stand herself now that she has given up the only thing that she has ever truly been passionate about. As an alternative to isolation, she reluctantly befriends her jubilant, whimsical neighbor and reconnects with her estranged brother. Haunted by loneliness and past desires, Colleen begins to feel as if she has lived her life through the characters she has played on stage and screen. –Quinzaine des Réalisateurs
Shit Year
Director
Renowned actress Colleen West abandons her successful career for a secluded life in the hills. But the quiet and peace of mind she longed for is disrupted by the noisy construction of neighboring housing developments. Before long, Colleen discovers that she really can’t stand herself now that she has given up the only thing that she has ever truly been passionate about. As an alternative to isolation, she reluctantly befriends her jubilant, whimsical neighbor and reconnects with her estranged brother. Haunted by loneliness and past desires, Colleen begins to feel as if she has lived her life through the characters she has played on stage and screen. –Quinzaine des Réalisateurs
Above Below
Director
Cam Archer's hypnotic short film takes form as a letter into the void. A middle-aged woman reads a note to a lost friend while slowed home movies of an adolescent boy flash across the screen. With movements blurred and the picture flaring with light, the image seems to register the uncertain memory of one left behind. "Have you forgotten about me," the woman asks. "We left a mark on each other, didn't we?" We don't know the nature of the relationship or the loss but the haunting conjuring power of cinema works its primal spell. ABOVE BELOW is another remarkable selection from the Cinemad Almanac. (Fandor)
Tigres Selvagens
Writer
A história do amadurecimento de um garoto de 13 anos que aprende a lidar com sua sexualidade e seu amor não-correspondido por um colega de sala.
Tigres Selvagens
Editor
A história do amadurecimento de um garoto de 13 anos que aprende a lidar com sua sexualidade e seu amor não-correspondido por um colega de sala.
Tigres Selvagens
Producer
A história do amadurecimento de um garoto de 13 anos que aprende a lidar com sua sexualidade e seu amor não-correspondido por um colega de sala.
Tigres Selvagens
Director
A história do amadurecimento de um garoto de 13 anos que aprende a lidar com sua sexualidade e seu amor não-correspondido por um colega de sala.
American Fame Pt. 2: Forgetting Jonathan Brandis
Writer
Cam Archer revisits the life of child actor Jonathan Brandis who committed suicide in 2003. Lydia Lunch narrates this meditation on fame, the actor’s pressure to remain in the public eye and the surreal events in the lead up to his unexplained death.
American Fame Pt. 2: Forgetting Jonathan Brandis
Director
Cam Archer revisits the life of child actor Jonathan Brandis who committed suicide in 2003. Lydia Lunch narrates this meditation on fame, the actor’s pressure to remain in the public eye and the surreal events in the lead up to his unexplained death.
A Look Back
Director
Vivid colors, trees and secrets answered. A LOOK BACK is part of Mike Plante's Lunchfilm series of commissioned shorts (made for the cost of a lunch between Plante and filmmaker Cam Archer).
Godly Boyish
Editor
Two boys dream of a life together in heaven.
Godly Boyish
Producer
Two boys dream of a life together in heaven.
Godly Boyish
Writer
Two boys dream of a life together in heaven.
Godly Boyish
Director
Two boys dream of a life together in heaven.
Our Time
Director
A bored boy decides to go out and have some fun, but what to wear?
Beholden
Editor
Experimental short film that combines a theme of child abduction carried out by a lonely woman with images of alien abduction.
Beholden
Co-Writer
Experimental short film that combines a theme of child abduction carried out by a lonely woman with images of alien abduction.
bobbycrush
Sound
Bobby Stone is 13 and in love. Problem is that he's in love with his best friend Dylan and Dylan doesn't feel the same way.
bobbycrush
Editor
Bobby Stone is 13 and in love. Problem is that he's in love with his best friend Dylan and Dylan doesn't feel the same way.
bobbycrush
Producer
Bobby Stone is 13 and in love. Problem is that he's in love with his best friend Dylan and Dylan doesn't feel the same way.
bobbycrush
Screenplay
Bobby Stone is 13 and in love. Problem is that he's in love with his best friend Dylan and Dylan doesn't feel the same way.
bobbycrush
Director
Bobby Stone is 13 and in love. Problem is that he's in love with his best friend Dylan and Dylan doesn't feel the same way.
Director of Photography
music video for Julianna Barwick's song, "Envelop"