Director
Director
How can it be that, despite the corruption scandals he has been associated with, Jörg Haider is portrayed as a hero after his accidental death? Nathalie Borgers goes to investigate in Carinthia. Her discoveries range from the comically bizarre to the strangely vexing.
Writer
Born in the colonial time from a Belgian agent and a Rwandan woman, Suzanne is only 4 years old when her father brings her to Europe in 1930 to give her a European education. Suzanne’s father is also the director’s grandfather, who discovered only at the age of 27 that she had a mixed race aunt. Twenty years later, she makes this film, in which the family story intersects the bigger history.
Director
Born in the colonial time from a Belgian agent and a Rwandan woman, Suzanne is only 4 years old when her father brings her to Europe in 1930 to give her a European education. Suzanne’s father is also the director’s grandfather, who discovered only at the age of 27 that she had a mixed race aunt. Twenty years later, she makes this film, in which the family story intersects the bigger history.
Screenplay
This may be the last journey of Domagali, Amina and Hanne and their Toubou women's caravan in the Sahara. Each fall, armed with daggers, they leave the men behind and cross the desert to sell dates in Agadez to bring back the means to survive in the village for another year. This economic responsibility gives them a special position in their society. Yet, the increasing market pressure endangers their 'business'. How will their social status change
Director
This may be the last journey of Domagali, Amina and Hanne and their Toubou women's caravan in the Sahara. Each fall, armed with daggers, they leave the men behind and cross the desert to sell dates in Agadez to bring back the means to survive in the village for another year. This economic responsibility gives them a special position in their society. Yet, the increasing market pressure endangers their 'business'. How will their social status change
Director
This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics. Director and editor-in-chief Hans Dichand’s ingenious populist strategy allows him to reach the greatest number of readers: the paper’s style and content play on base human instincts such as the fear of the “other,” the opposition between “good” and “evil,” and the common man’s sense of powerlessness in the political arena. He then wields the might of this enormous audience to influence politicians and impose his nostalgic vision of a pure, prosperous, and peaceful world.
Director
Director
