Chris Alexander

A feature length documentary examining the horror films of director Bob Clark

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

Virginia wanders a deserted, haunted landscape and wakes up the ghost of an ancient and bloodthirsty blind female knight. As the wraith relentlessly pursues her prey, the truth about Virginia's dark past is revealed.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

After finding an old nautical phone washed up on the shore, Natalie begins having dreams of the device ringing, followed by the presence of a shrouded woman in black. Natalie's already fragile grip on reality begins to slip.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

A woman plagued by violent visions walks the world alone as if in a dream. A multi-media meditation on the vampire.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

She wakes. She walks. She kills. Driven by an instinct she doesn't understand and guided by visions of a ghostly woman in black, only one thing is certain: the blade needs to feed. And the blade needs blood.

Hail to The Deadites é um documentário sobre os fãs dos filmes EVIL DEAD e explora a popularidade eterna e crescente da franquia clássica.

Following five years in the life and career of independent filmmaker Justin McConnell, this documentary explores the struggles of financing, attracting the right talent, working with practical effects and selling the finished product in the hope of turning a profit. Featuring interviews with a range of industry luminaries, not only are technical aspects and interpersonal skills discussed but also the emotional stamina and little-known tips needed to survive in the low budget film industry.

The tale of satanic vampire sorceress Eva, whose sexually-charged midnight rituals are interrupted when God-fearing local villagers burst into her lair and murder her. A century later, motorcycle-riding writer Lisa moves into the same cabin where Eva was executed, with the intent to write a book about the supposedly haunted spot's history. Soon, Lisa is having vivid, perverse dreams and slowly, surely, Eva begins taking over the young woman, using her body as a vessel to commit even more atrocities in the name of resurrecting an ancient monster from the underworld.

The tale of satanic vampire sorceress Eva, whose sexually-charged midnight rituals are interrupted when God-fearing local villagers burst into her lair and murder her. A century later, motorcycle-riding writer Lisa moves into the same cabin where Eva was executed, with the intent to write a book about the supposedly haunted spot's history. Soon, Lisa is having vivid, perverse dreams and slowly, surely, Eva begins taking over the young woman, using her body as a vessel to commit even more atrocities in the name of resurrecting an ancient monster from the underworld.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

In this follow-up to Blood for Irina and Queen of Blood, the vampire Irina rises again like a ghost from her watery grave to bring bloodlust and madness to a lonely woman living in a seaside motel.

Filmmaker Guillermo Del Toro in conversation with George Romero.

Filmmaker and musician Chris Alexander discusses the films and music of Herschell Gordon Lewis.

When Angela refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.

Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.

Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.

Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.

Carrie Gemmell, an office woman that initially appears to lead a dull life working at an uninspiring office job. At night, however, she has several surreal fantasies involving sex, blood, and a young woman (Cheryl Singleton) she works with at the office. "She" will occasionally wake up in strange places and is convinced that she's turning into a werewolf - something that she believes is evidenced by her teeth elongating.

The Shutterbug Man tells the tale of a very twisted man, whose only passion in life is taking pictures. This passion takes him to terrible and wicked places.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

Vampire Irina is reborn as a "vampiric" plague, a force of nature whose destiny is to lay waste to a fever dream vision of the Wild West.

A relentlessly-paced hybrid of gritty crime thriller and Lovecraftian supernatural horror, "The Devil's Mile" follows a trio of kidnappers who take an ill-advised detour en route to deliver their hostages - two teenage girls - to their mysterious and powerful employer. When they accidentally kill one of the girls during a botched escape attempt, their simmering mistrust explodes into shocking violence. But what they thought was their worst case scenario is only the beginning, as they are engulfed by the hellish forces that haunt the road - a road they realize they may never escape. Now captors and captive must fight together to escape the monstrous forces pursuing them and somehow survive ...

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Irina is dying. A predator who stalks streets at night looking for blood, she has lived over a century; tormented by memory, living in a run-down motel by the sea, Irina has reached the end. Her perceptions skewed, her body and mind revolting against themselves, she waits for an exit. Her private hell is echoed by the motel manager, driven by an obsession to protect Irina and keep her secrets safe, and a broken prostitute whose desperate plight may be worse than Irina's. It's the tale of three people living a life on the fringe, trapped in world of literal and figurative decay.

Stranded in a snowstorm, a man wanders into Jerusalem's Lot-- unaware of the town's vampiric past in this chilling adaptation of Stephen King's short story/epilogue to his master work 'Salem's Lot'.

Nathan and Dexy struggle to maintain an open marriage after a zombie plague has killed the majority of the population. It's up to Nathan to find survivors to pleasure his wife and hot zombies to satisfy his own lust.