Anjo Leung

A análise financeira de uma empresa chinesa de TI foi roubada e um executivo sênior do banco de investimentos que a escreveu deve pagar um resgate antes que o relatório confidencial seja divulgado ao público. No entanto, as sobrancelhas são levantadas quando os ladrões pedem uma quantia surpreendentemente baixa para o resgate. Quais são os ladrões depois?

“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.

Nan Au-Yeung (Michelle Wai) and Sze Tso-chi (Ken Hung) share the same birthday, go to the same school, love photography, and are just as competitive. But they did not know of each other’s existence until they “crossed swords” at a debate tournament. And they both felt as if the fairytale prince and princess finally found each other. Later in a birthday party, Nan thought Chi played a trick on her, leaving a slap on his face. Four years later, Nan Au-Yeung encounters his ghost and learns that he is already dead...

The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity

Os membros efetivos do time de beisebol de Hong Kong Nacional aparecem no filme como eles mesmos, em uma história ambientada em 2004. A sua existência isolada leva a tomar opções não convencionais, tanto amor e amizade, e para convocar uma grande coragem em face da sua existência solitária e desconectada.

Magic Boy is a beautiful youth romance set in Mongkok where a girl falls in love with two amateur magicians. One is into stage magic. The other is into street magic. Over 30 genuine magic tricks are performed in this first full length feature in Hong Kong to use amateur magicians as the subject matter. Anjo Leung, in his film debut, is a real student of magic while director Adam Wong continues his sensitive and poetic expression of the frailties of youth, this time using magic tricks as an allegory of the illusory nature of love.