Aubrey Lam Oi-Wah
História
Born in Hong Kong, Aubrey Lam Oi-wah graduated from the University of Hong Kong, then studied film at Los Angeles. After attending directing classes of the Hong Kong Film Directors’ Guild, she joined UFO in 1995 as scriptwriter. Since then, she had established herself as one of Hong Kong’s noted women writers, with scripts for Yesterday You, Yesterday Me (1997, Love Trilogy (2004) and Wu Xia (2011). She also co-authored the scripts for Who’s the Woman, Who’s the Man (1996), Purple Storm (1999), Golden Chicken 2 (2003), Perhaps Love (2005) and The Warlords (2007), the latter two films nominated for Best Screenplay by the Hong Kong Film Awards
Lam began directing with Twelve Nights (2000), a meditative look at romance which she also wrote. Lam switched focus with her sophomore project, directing and writing the quirky comedy Hidden Track (2003). In 2002, she obtained a Master’s degree at�the University of Hong Kong.
Screenplay
Like her directorial debut Twelve Nights, Twelve Days depicts 12 scenes of a tumultuous marriage, from its blissful beginning through its bitter collapse. On day one, Jeannie and Simon seem to have the makings of a perfect marriage, but the following 11 vignettes reveal the various conflicts, both big and small, that slowly eat away at their bond. Love may build a marriage, but Twelve Days shows that reality can just as easily shatter it.
Director
Like her directorial debut Twelve Nights, Twelve Days depicts 12 scenes of a tumultuous marriage, from its blissful beginning through its bitter collapse. On day one, Jeannie and Simon seem to have the makings of a perfect marriage, but the following 11 vignettes reveal the various conflicts, both big and small, that slowly eat away at their bond. Love may build a marriage, but Twelve Days shows that reality can just as easily shatter it.
Writer
The romantic comedy “Tuhao 520” or “Love Without Distance” is the newest film title that centers on the lives of China’s billionaires. The film attempts to dissect before the audience via creatively crafted scenes the meaning of "tuhao," which is a famous Chinese expression describing rich people who lack some grace and elegance.
Director
The romantic comedy “Tuhao 520” or “Love Without Distance” is the newest film title that centers on the lives of China’s billionaires. The film attempts to dissect before the audience via creatively crafted scenes the meaning of "tuhao," which is a famous Chinese expression describing rich people who lack some grace and elegance.
Director
A recently graduated and intelligent young woman sees plastic surgery as essential to succeeding in both her career and romantic aspirations.
Writer
During the economic reform period of the 80’s, three undergraduates bind together by a common ambition – to live the American dream. They are Cheng Dongqing, a hillbilly who refuses to accept his destiny of being a farmer; Meng Xiaojun, a self-confident, cynical intellectual; and Wang Yang, an idealistic romantic poet. Xiaojun is the first to obtain an US Visa for studying abroad. Yang follows but decides to remain in China for his beloved. Poor Dongqing is rejected by the US Embassy repeatedly. Baffled, he reluctantly accepts the job as an English instructor in the university but eventually gets fired for teaching tutorial classes in private. Across the Pacific, Xiaojun fails to find a decent job and is driven to work as a busboy in a diner.
Writer
Durante a dinastia Qing governada por Manchus, o imperador Yong Zheng criou um esquadrão da morte que ficou conhecido como os Guilhotinas. Este esquadrão era utilizado para eliminar todos os que se opunham ao governo. Durante o governo de Yong Zheng este esquadrão era fortemente favorecido pelo Imperador. Porem quando seu filho Qian Long, herdeiro do império, ascende ao trono, os guilhotinas são considerados dispensáveis pois o novo imperador adota ideias e tecnologia ocidentais. Para consolidar o seu poder sob um novo regime, Imperador resolve usar os Guilhotinas para perseguir e conquistar chineses Han num reinado de terror e opressão.
Writer
Um jornaleiro se envolve em um caso de assassinato com dois criminosos, o que leva um determinado detetive a suspeitar dele.
Director
Screenplay
Um homem é quase morto em uma violenta batalha, mas consegue sobreviver e se recupera ao encontrar e se apaixonar por uma misteriosa e bela mulher. Ele descobre que ela faz parte de um clã de ladrões, e faz amizade com os dois chefões do grupo. Com isso, os três fazem um pacto de irmandade e lutam juntos contra uma poderosa tropa imperial, que está ameaçando a vida de toda a população.
Director
Anna & Anna is a movie about a Singaporean arts saleswoman / alpha female and her subdued doppelganger. Anna One (the arts saleswoman) is very successful in her job, and gets posted to Shanghai, where she used to live before. There, by a coincidence, she finds another woman who not only like her but IS her - Anna Two. This Anna has finished her studies, become a painter, and stayed with Oulang, a depressed musician - the life as Anna One's could have been, had she made another decision at one point of her life.
Writer
Anna & Anna is a movie about a Singaporean arts saleswoman / alpha female and her subdued doppelganger. Anna One (the arts saleswoman) is very successful in her job, and gets posted to Shanghai, where she used to live before. There, by a coincidence, she finds another woman who not only like her but IS her - Anna Two. This Anna has finished her studies, become a painter, and stayed with Oulang, a depressed musician - the life as Anna One's could have been, had she made another decision at one point of her life.
Writer
Writer
Three pairs of lovers arrived at Yunnan at the same time, meets Shibo Yuan tourguide, Liu Hai.
Writer
The year is 2046 and 82 year old Golden Chicken Kum, spots a heartbroken man planning to take memory loss-pills. Claiming that Hong Kong people have a way of forgetting, she begins to recap part of her life story, starting in 2003 during a time where she was desperately looking for a husband and the SARS outbreak happened.
Writer
Pu Pu is dumped by her boyfriend whom she loves. Before she moves out, she asks to listen to "their song" just one more time, that is the hidden track by Jay Chou. Then she leaves him and goes to her sister's place in Hong Kong. All the while she is there, she searches for the same song, the "hidden track", and from this it leads her onto a journey of discovering love and a new beginning. Despite the whole movie revolving around Jay Chou's song, Jay Chou plays only a cameo part.
Director
Pu Pu is dumped by her boyfriend whom she loves. Before she moves out, she asks to listen to "their song" just one more time, that is the hidden track by Jay Chou. Then she leaves him and goes to her sister's place in Hong Kong. All the while she is there, she searches for the same song, the "hidden track", and from this it leads her onto a journey of discovering love and a new beginning. Despite the whole movie revolving around Jay Chou's song, Jay Chou plays only a cameo part.
Writer
This movie goes through 12 significant nights (not consecutive nights) in a relationship between two characters. The movie offers some insight into the repetion involved in relationship cycles from interest through various tensions to eventual disinterest.
Director
This movie goes through 12 significant nights (not consecutive nights) in a relationship between two characters. The movie offers some insight into the repetion involved in relationship cycles from interest through various tensions to eventual disinterest.
Writer
Music producer Sam and his cross-dressing protege Wing have finally professed their love for another, but now what?
Writer
A psychic widow (Anita Yuen) makes a bargain with Death (Roy Chiao) in order to save her son's (Alan Tam) life.
Writer
Foreign - Tony is a wily, pessimistic scam artist who uses an ancient superstition to build a hilariously enterprising business. Lam is his sometime business cohort and Chan is the kind-hearted boy next door who falls victim to Tony's tricks.
