Richard C. De Guzman

Filmes

Rolyo
Director of Photography
In between harvests, to supplement their income, Judith is sent by her father to catch birds which they would peddle come Sunday outside the church. On their trip to the city, Judith requests that they watch a movie after selling off all the birds. What Judith gets in return is a torotot (trumpet) made out of rolled-up film negatives. The story is set in Bikol where it is a practice among rural folks to surround the perimeter of their farmlands with film negatives to ward off birds eating the newly sown palay seeds.
Evolution of a Filipino Family
Director of Photography
An intimate epic made with uncompromising and austere seriousness that patiently and methodically observes the collapse and hopeful revival of a poor farming clan.
Headless
Director of Photography
The start of the film sets the tone. A tortured man looks as if he will castrate himself. Later he staggers aimlessly and bleeding heavily through the streets of a town that is just waking up. In parallel, the film shows the marital discussions of a couple, with the husband hiding behind the camera.