Graziolina Campori

Filmes

Os Companheiros
Script Supervisor
O professor Sinigaglia (Marcello Mastroianni) é o personagem-título deste drama italiano sombrio e cômico sobre trabalhadores de fábrica maltratados na cidade de Turim. Trabalhando em condições pavorosas em uma fábrica de têxteis, esses funcionários não têm ninguém para defendê-los até Sinigaglia colocar sua carreira acadêmica em risco, ajudando-os a iniciar uma greve. Embora o professor seja investigado por autoridades antipáticas, ele mantém sua dedicação à causa dos trabalhadores. (e 16 - Estimado 16 Anos)
Dois Destinos
Script Supervisor
Enrico is a struggling journalist in the Rome of 1945. He receives a phone call informing him that his younger brother Lorenzo has died. Enrico recalls their long and difficult relationship; he was brought up by their poor but warm-hearted grandmother, Lorenzo was raised as a gentleman by a wealthy local aristocrat. Reunited in the Florence of the 1930s, Enrico becomes his spoilt brother's keeper, forever haunted by a sense of guilty responsibility towards a man he both hates and loves.
Fantasmas em Roma
Second Assistant Director
An old prince lives in his ancient palace in Rome together with the ghosts of his ancestors. For years he has proudly rejected huge offers by a real estate group seeking to buy the palace and build a department store in its place, but when he suddenly dies his nephew signs the deal. The palace seems lost, but the ghosts forge a plan to save it from destruction.
Guendalina
Assistant Director
Wealthy teenager Guendalina is a child of divorce. Oberdan, likewise a teenager, is a boy from a blue-collar family. Escaping from the tribulations of her home life, Guendalina creates a dream world of her own, casting Oberdan as her personal Prince Charming. Despite parental objections, girl and boy fall in love. Interestingly enough, the relationship between Guendalina and Oberdan remains pure and chaste throughout their film, which is more than can be said for their parents. their respective parents behave with marked laciviousness.