Mitsuhiro Higashiyama

Filmes

As Sawa-chan Rides The Waves
Producer
Sawa lives in a small port town called Hososhima in Hyuga City. He is a cheerful person who supports a single mother, Yoshiko, and also takes care of a junior high school younger brother. On the other hand, my divorced father, Takuji Tamayama, is a clumsy but hateful man who lives surfing. Sawa visits his father from time to time and takes care of him. Such a peaceful daily life is completely changed by the “incident” caused by my brother. Furthermore, by a reunion with my childhood friend Takeshi who is aiming to become a professional surfer, Sawa will be aware of the “real feeling” that he has hidden in his mind.
Threads of Our Hearts
Director
Akito has been the ears and voice of his mother, Reiko, since he was a child. Reiko was born deaf and has long dreamed that her son would become a professional pianist. Akito is studying to enter a prestigious music college, but he begins to have doubts about his talent. One day, he meets Izumi, a deaf girl who plays in a street band. He is attracted to her positive nature, but his mother disapproves, fearing Izumi could hinder his success in "a world with sound." Reiko insists Akito focus on his piano, but her expectations burden him. Then Akito begins to question his mother's attitude towards life as well as his own when he discovers something new about her.
M.B. MOVIE
At the beginning of the film, the filmmaker begins to talk to the camera. I don't know what kind of film I'm going to make, but I'm going to make it. The camera is set up in a room. He moves into a bigger room and tries to capture more of his everyday life, but eventually, he gets tired of playing with the camera alone and enlists three of his friends to join him in making three dramas. The filmmaker insists on showing a naked woman in the film, but before he can make up his mind, the camera returns to his room, where he struggles to make a film, and, unable to process it as his own expression, he calmly accepts his awkwardness. In this way, the audience can see the growth of the artist. In this two-hour film, the audience experiences unique complicity with the artist's growth.
The story of “CARROT FIELD”
Script
The story of “CARROT FIELD”
Director