Julio Leyva

Miguel Hermoso's Like Lightning offers a fresh take on a familiar scenario, the teenaged boy searching for his unknown father. Pablo is a typical teen, with a fondness for football and sneaking beers with his buddies. He enjoys a comfortable upper-middle class life with his mother (Assumpta Serna), a successful lawyer and former feminist rabble-rouser, but has a gaping hole at the core of his identity: he has no idea who his father is. Preoccupied with the question to the point of obsession, he sets out in search of answers, and finds himself on a trail that leads to the Canary Islands.

Ana works in an office where the things are going very badly. One night after having dinner with nasty rich people, she has a discussion with her husband. He dissapears and then the life of Ana changes: she has incredible luck in gambling.

In Santa Fe de Tierra Firme, an imaginary Latin American country, the indigenous dictator Santos Banderas rules with an iron fist. A group of rebels trying to seize power by force while some liberals try a change of government legally.

German, a young theater director, tries to organize a theater play about Lulu, a prostitute that was killed in London by Jack the ripper. While looking for the protagonist, Rufo appears, an introvert jazz musician. He could play Jack the ripper.

Director José Luis Garci has turned his camera inward on filmmakers and screenwriters to portray them as so self-absorbed in the creative process that there is no other world, no other human relationship that can compete. As José (Adolfo Marsillach) and Federico (Jesus Puente) work together on a new screenplay, their interactions with their family (José's teen daughters, Federico's wife) disappear under the all-consuming task of creation. The daughters give up and go off on their own, and the wife joins a convent while Federico barely notices. And when the producer is interrupted by profound grief at the sudden death of his older son, he almost automatically returns to thinking about the film project when the funeral has ended. Garci honors many great directors at the beginning of this film, and the film continues to play out as an elaboration on this homage -- an illustration both of the dedication and the cost of filmmaking, no judgments given.

Private detective Germán Areta el Piojo investigates the life of a gay man who has apparently abandoned his partner. When they both turn up dead, it seems one killed the other before committing suicide, but Areta is not convinced.

A group of homosexual friends tries to set up a gay club in a town in Andalusia, meeting the opposition of the chief who will use all his resources to try to prevent it.

Lord Killarney, delegate of the British Museum, acquires in Córdoba, at an auction, an incunabule, a valuable treatise on Arabic botany, but he is killed and the book disappears. The suspicions fall on El Lince, an old-fashioned antiquarian who had bid with the English to get the book. When he is arrested, he asks his nephew to warn Curro Jiménez, who discovers that the famous treaty actually contains the key to accessing a fantastic treasure that a caliph has hidden in the Mosque of Córdoba and that has been, for centuries, cause of deaths and betrayals. But the stolen book is split in half. The other half is, for years, in the power of El Lince, which he bought from the famous bandit Mariano Romero, who has been presumed dead for thirty years.

Toni is a seventeen year old young man who comes to Madrid from a little village in search of work. A friend from the same village of Toni puts him in touch with Charo, "La Corea", a mature woman dedicated to facilitating contacts and boys to American men at the military base of Torrejón.

Gina is a single woman with a good job. From very attractive features, its beauty shines it should not because of their excess weight. Her boyfriend decides to leave her and from that moment her life is shrouded in sadness and monotony. Everything changes when he bursts into her life a very handsome young man called Luis. But it's intentions are not clear, Gina must discover the reasons that really move her wooer ...

Madrid, in the forties. In the post-war period, Paca, a chorus girl who aspires to enter the Celia Gámez Company, returns to Madrid after a provincial tour. In the same train travels Luis, undocumented young person to whom Paca allows him to spend the night in the room where she lives with her sick father. Paca's relationship with Julio, a mogul without remorse, offers her financial support, but Luis gives her the tenderness and love she does not have with Julio.

Zoraida is a single mother and bearded woman in a circus, while Charly works in transvestite shows. Together they will live a difficult and unusual love story.

Ten people are invited to a hotel for a weekend getaway by a Mr. U. N. Owen, who mysteriously isn't in attendance. When the group gets together for their first dinner, a record is played in which Mr. Owen accuses each guest of committing various unpunished crimes, which sets off a series of murders in the hotel.

Three Vietnam vets have become so conditioned to violence that they have developed psychotic tendencies. They kidnap people, brutalize them, then turn them loose and hunt them like animals. However the father of one of their earlier victims is plotting a vicious revenge against them.

Countess Elizabeth Bathory conspires with her husband to acquire the blood of virgins to maintain her youth and beauty.

Starring Elisa Laguna, Paquita Ferrera, Rosa María Carmona, Leila Lakhoua, Fernando Hilbeck and Fernando Rey, «Chicas de club» is 1970 Drama film directed by Jorge Grau, and written by Mario Camus, Jorge Grau, and Claudio Rodríguez.

Emilio Antunez and his wife Charo, come to La Molina, willing to spend a few happy days of vacation. Charo, foreseeing that she will meet with important people, brings an assorted and elegant wardrobe, which is soon able to wear when she meets with Aurora, an old school friend who is married to the eccentric millionaire Taboada.

Mario Leyva, famous singer in full glory harassed every day more for his "fans", takes the life that they allow him, dedicated to his art and directed professionally by his "manager". His popularity makes him be mixed in the advertising of a brand of cigarettes by advertising phrases that repeat themselves in all the languages.

A promising goalkeeper of Real Madrid sees his chance when a teammate is injured and is summoned to replace him. But the misfortune is primed with him when an untimely car accident damaged her spine and is forced to give up that had to be the game of his life. Tired of so much bad luck, he retreats to a seaside hotel, where chance will go up to the stage.

A Spanish singer, known as "El Ángel", owner of a nightclub, lives a double life as an expert in alarms for gangs of thieves. In his last robbery, he betrays his partners, and his lover is kidnapped and he is blackmailed. Thinking that she has betrayed him, he abandons her to her fate. Finally, she committed suicide. El Ángel reconsiders his life and decides to become a monk. But his former life will meet him within the walls of the monastery.

Franco Nero, Jack Palance e Tony Musante estrelam este clássico dos filmes de western, dirigido pelo especialista no gênero Sergio Corbuci. O mercenário Kowalski (Nero) é especialista em armas e usa suas habilidades como assassino profissional. As coisas se complicam quando ele bate de frente com o malfeitor Ricciolo (Palance).

Barcelona 1967. The pop culture revolution. Jordi (Patrick Bauchau) is a rich playboy who runs around with a bunch of high-end hippies, smoking, drinking, dancing and daydreaming about Tuset Street, an effort to develop a popular street in the newer section of Barcelona after the models of Haight Ashbury Street in San Francisco and Carnaby Street in London. Jordi and his gang represent the new Barcelona, wealthy, artificial and striving for imported sophistication. On the older side of the city is El Paralelo, the theater district. At El Molino, one of its many music halls, performs Violeta (Sara Montiel), a showgirl in the old style tradition who supplements her singing income with prostitution. Somehow Violeta represents the old values, the "real world" living along side an artificial creation such as Tuset.

Al Pereira, a wise-cracking superspy, investigates a series of assassinations being performed by ruthless killers with bronze skin and horn-rimmed glasses. The trail of these mindless automata leads him to the lair of a seductive villainess who has formulated a computer-powered plot to overthrow the governments of Europe. 'Cartes sur table' is at once an homage to classical Hollywood thrillers and a playful riff on the newly-popular James Bond films.

Berta is a German who comes to a small fishing village to marry Lorenzo, owner of an island and that only known her through his letters. The early days of their marriage are a constant disappointment, especially when it finds that her husband has no resemblance to the author of the letters. He lives embittered by an old story and is hated by all.

Claudio is a kind mand who works as cashier in a company for several years. Whe he finds closed the bank where he has to deposit a millon of pesetas, he decides to go to a friends party. Due to alcohol effects, he share out the money to the people who need it more.

In the fall of 1824 Javier Montenegro, Bradomin Marquis is spared death hanging by Captain Casares, and in return, the Marquis agrees to help him escape to America. Adaptation of "Sonata de Otoño" and "Sonata de Estío" of Ramón María del Valle-Inclan, which included elements Bardem later works of the author.

Rosario, Tirana, actress of the late eighteenth century, enjoys the protection of the Duke of Fornells, Chief Justice of the Kingdom, which paves for the actress the way to fame on stage at the Prince theater. The secret love of Rosario, the Earl of San Esteban dies in a duel with Fornells and its position is occupied by the bullfighter Costillares.

Pedro, a street photographer who fought during the Spanish Civil War on the Republican side, becomes obsessed with a young model.