Jean Bertrand

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

After thirteen years in Germany, Fernand is coming back to his wife and his restaurant. But since his disparition, his wife as made her life with a norman chef, sympathetic but a specialist of butter's cooking when Fernand cook only with oil!

The film is a 20th-century adaptation of Voltaire's 1759 social satire novel Candide, ou l’Optimisme.

A professor experimenting in suspended animation accidentally shrinks his dog and later, his female lab assistant, when she drinks the liquid by accident and shrinks to 3 inches tall. The professor keeps her in his pocket until he can find an antidote. Sometimes she's naked, too.

One Christmas Eve, a carefree young man, Eric, arrives in a small provincial town. Here, he meets Julien, a bar pianist who is his exact double. Julien is in love with Marinette, a pretty waitress, but he is too shy to make any romantic overtures. Eric decides to give the course of true love a helping hand by pretending to be Julien. Meanwhile, Eric’s fabulously wealthy uncle has sent his minions out to bring him back home, so that he may celebrate Christmas in the bosom of his family.

Carlo Mastelli, the young radio presenter of "New Voices" has run short of ideas and his program is likely to be suspended from the radio schedule if he does not find any new ones.

Pushed by her husband to settle in the family castle, Agnès finds her sister-in-law Alix there. Her husband Carlos, often absent, loses interest in his wife and gradually approaches Agnès who will end up giving up this relationship.

The aunt of Alfred Puc, a meek tax-collector in Paris, dies while riding in a moving van. The driver, not wishing to be bothered by a police interrogation, hides her corpse in a cupboard before notifying Alfred. But the van is stolen. Alfred, being the heir of a rich lady, begins a frantic search to locate the missing van and the cupboard because one can't claim an inheritance if there is no 'corpus delecti.' In his search, he gets caught up in an underworld web and finds the body of a murdered gangster in his room. He finally locates the cupboard but promptly loses it again. But, wait, it isn't "finis' time, yet.

Julien Couturier (Bernard Blier) and his wife Louise (Blanchette Brunoy), a young couple from Auvergne who have come to Paris to try their luck for the first time in their lives, become the owners of the "Café du Cadran" ("Clockface Cafe"). On opening day, they meet the people who will become their clientele. It's a busy place, with regular customers served by two waiters, Jules (Robert Le Fort) and Victor (Charles Vissières). While Julien is comfortable in his role as boss, Louise doesn't quite get used to this urban world, where everything moves faster, especially human feelings. She often misses Marcenait, the village in Auvergne where she and her husband ran the "Café du Commerce". Mr. Luigi (Aimé Clariond), a café customer and violinist who performs at the "Café de Paris", has undertaken Louise's cultural education. He teaches her how to dress and do her hair, while recounting his musical successes and travels, skilfully playing on his undeniable seductiveness...