Frédéric Clou

Filmes

Temps mort
Employeur Hamousin
Habib
Assistant réalisateur
The story of a young Belgian actor of Moroccan origin who agrees to play the role of Saint-François-d'Assise to put an end to the roles of nice Arabs that are stuck on his forehead in often mediocre films. Getting into the historical figure will represent a real challenge for him; when his father, settled in Morocco, suddenly returns to Brussels with a new wife, and the beginnings of Alzheimer's, he finds himself having to juggle between the expectations of his colleagues and his family.
Maya Nilo (Laura)
Fabien
Nilo is a feminist writer, living an orderly life with her husband and 13-year-old daughter Laura. When her irresponsible sister Maya, whose projects constantly tend to bomb, both "kidnaps" Nilo's Volvo and daughter and heads south, Nilo tags along. The goal of the trip is Portugal, where the sisters’ complicated mother recently diagnosed with cancer lives, together with Maya’s son, who it has finally become time to take responsibility for.
Emma Peeters
le figurant
Depois de 10 anos de luta em Paris, Emma Peeters tem que encarar os fatos: ela nunca será atriz. Ela decide cometer suicídio em seu aniversário de 35 anos. É quando ela conhece Alex, um funcionário da funerária.
School Is Over
Monsieur Morel
Agathe Langlois, Parisian until the end of the nails well varnishes, is delighted: she is going to be confirmed as a professor of English. The happiness of the good news will not last as she learns that she is deployed to the countryside.
The Benefit of the Doubt
Policier
David has a woman he loves, two lovely young children, a band of friends with whom they go on holiday. But on his return from a stay in the Vosges, he is interrogated by the police in connection with an investigation into a murder. Quickly, it is established that David, under irreproachable looks, does not have a life as smooth as what he claims. Despite the support of his best friend, Noël, and his lawyer, Marco, the doubt spreads.
Pablo
Mr De Smet
Months after a violent separation, Anouk and Pablo have to meet two members of the Ministry of State at Anouk's place to have the legal authenticity of their cohabitation validated. This is very important for Pablo to be able to regularize his status as a foreigner in Belgium. He must convince Anouk to pretend to be a couple again for one last hour.
Even Lovers Get the Blues
Train aggressor
Léo está dormindo com Louis, Ana com Hugo, Dalhia com Graciano e Arthur com todo mundo. Os personagens se cruzam na aleatoriedade da noite de Bruxelas. Casais são feitos e desfeitos, experimentando uma sexualidade sempre em evolução, buscando um tipo de amuleto que os faça sentir vivos. Laurent Micheli filma de forma quase teatral o mal-estar de sua geração: uma sociedade insegura que, a sua maneira, está tentando reinventar o sexo e o amor.