Pepita Llunell

Filmes

The Blonde at the Bar
Mario is dominated by his castrating wife, and is also suffering from writer's block. He goes to a local (very mixed) bar where he meets an exhuberant blonde prostitute, through her room mate, a gay gigolo. With Mario's help, the blonde goes on to better jobs in the world of pornography, involving traveling abroad. This may not seem like good news for Mario, but he may also move on to a better phase in his life as a result.
La plaça del diamant
Colometa is an average housewife with two children to care for in the late 1930's, as the Spanish Civil War is starting and her husband goes off to fight. She had been an ordinary woman working in a shop when she met the lively carpenter who married her, and their life together was without major problems. But now she is forced to raise her children under straitened circumstances, and after her husband dies, her life undergoes another major change as she marries for the second time. Underneath Colometa's acquiescent, forebearing exterior must lie just a few discontents, a few unrealized dreams - but they never surface as she blithely moves from one episode in her life to another.
The Andalusian Widow
(as Josefa Llunell)
Lozana, a young, beautiful and clever woman decides to move to the city after a tragic love story. There, she meets Rampin, a naughty rascal who soon finds out that her wit surpasses his own by a handful. When he falls in love with her, he can't help suffering as he sees how she plays not only with him, but with all of her lovers as well.
Amor y medias