Jean-Claude Biette

The title reflects the brand of a financial institution, the bank of the Saltim family: Frederic, the younger brother, runs the family bank; his brother Bruno rejected the position of executive director, and chose to fund a theatrical company. Around them, there is a net of family members, friends, and acquaintances who seem to swirl around the banking brothers. Frederic and Bruno are both trying to control the future of their beautiful niece, Vanessa. The coffee shop owners Eve and Jim complicate everybody's life with their intrigues and lies. A strange stage director comes from his foreign exile. And lack of funds suddenly reveals the true colors of everyone - in banking, on stage, and everywhere.

The title reflects the brand of a financial institution, the bank of the Saltim family: Frederic, the younger brother, runs the family bank; his brother Bruno rejected the position of executive director, and chose to fund a theatrical company. Around them, there is a net of family members, friends, and acquaintances who seem to swirl around the banking brothers. Frederic and Bruno are both trying to control the future of their beautiful niece, Vanessa. The coffee shop owners Eve and Jim complicate everybody's life with their intrigues and lies. A strange stage director comes from his foreign exile. And lack of funds suddenly reveals the true colors of everyone - in banking, on stage, and everywhere.

A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.

Pierre Léon ingeniously condenses and updates Dostoevsky’s novel about a 19-year-old intellectual reconnecting with his estranged family in his impressive debut feature.

Arthur is a history teacher who lives alone in Paris after having broken up with Claire. He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare.

Arthur is a history teacher who lives alone in Paris after having broken up with Claire. He is a sensitive man, full of existential doubts and questions. He has to go to Lisbon to meet an eminent historian whose work is the subject of his thesis. Having just made up with Claire, he decides to take her along. She's an ideal travel companion and it seems their relationship has not yet exhausted its potential. But moving from Lisbon to Oporto, their fantasy of a second honeymoon clashes with the reality of a world on the verge of a nightmare.

A young man returns to the family home to face a childhood trauma: his brother's suicide, but nobody in the family is willing to help him.

It is due to some professional obligations that brothers Charles and Fredi turn their attention to theater. Charles, an actor does not want Fredi to write a book on him.

A "three people relationship" with a pact involving a terrible past. The pact concerns France, Anne and Pierre.

Felicié vive um dilema: divorciada, se relaciona com dois homens, o livreiro Loic e seu chefe, o cabeleireiro Maxence. Na verdade, ela não consegue se decidir entre os dois porque não esquece Charles, o amante com quem perdeu contato 5 anos antes.

A miraculous mushroom is discovered by a film director's daughter.It would be used to cure an actress.

A miraculous mushroom is discovered by a film director's daughter.It would be used to cure an actress.

The tribulations of a bisexual who's a bit of an exhibitionist.

The tribulations of a bisexual who's a bit of an exhibitionist.

Nine short films about love.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

Christian, an art critic, must write a study on the painter René Dimanche in order to understand why he did not produce anything for eight years. He asks his friend Ingrid to help him break through this mystery.

The fortunes of a small theatrical company based in the Paris suburbs.

The fortunes of a small theatrical company based in the Paris suburbs.

The full soundtrack to Marguerite Duras' 1975 film India Song, about a French ambassador's wife in 1930s India, is here repurposed with all new cinematography. As we hear all the dialogue of a bygone movie, we travel visually through images of absence and decay, bereft of life. It's the ghost of a film, and a further commentary on colonialism.

A esposa de um desonrado diplomata francês sofre de “lepra da alma,” outro termo para tédio. Por meio de uma mistura de fofocas fora de tela, ficamos sabendo da conduta escandalosa de Anne-Marie na Índia dos anos 30 e seu destino fatal gerado pelo tédio e pela culpa colonial.

Um parisiense aparenta manter um relacionamento aberto ideal com sua namorada, mas acaba se apaixonando por uma enfermeira, que se orgulha de sua vida casual. Um triângulo amoroso se estabelece na tentativa de formar um ménage-a-trois.

The sister of a manager who finds work for the unemployed, instructs her brother's employee to find unemployed people.

“De qualquer forma, trata-se de um pai, o reinado de um pai sobre o destino. Quer esse pai seja ou não terrestre ou tenha um nome, de certa forma nos diz respeito, visto que podemos ou não nos agarrar à ilusão de clareza, à ingenuidade da razão.”

“De qualquer forma, trata-se de um pai, o reinado de um pai sobre o destino. Quer esse pai seja ou não terrestre ou tenha um nome, de certa forma nos diz respeito, visto que podemos ou não nos agarrar à ilusão de clareza, à ingenuidade da razão.”

Straub-Huillet’s first color film, adapts a lesser-known Corneille tragedy from 1664, which in turn was based on an episode of imperial court intrigue chronicled in Tacitus’s Histories. The costuming is classical, and the toga-clad, nonprofessional cast performs the drama’s original French text amid the ruins of Rome’s Palatine Hill while the noise of contemporary urban life hums in the background. Their lines are executed with a terrific flatness and frequently through heavy accents; the language in Othon becomes not merely an expression but a thing itself, an element whose plainness here alerts us to qualities of the work that might otherwise be subordinated.

A moral adventure: one sees friendships being born and being discarded, under the pressure of avowed authorities such as the family and the prejudices it states, or unavowed as the economy that no individual alone expresses.

A street strewn with papers. The legs of passers-by. A young man crosses the street. Then we find him in the middle of a discussion with a friend. “Are you still determined to leave? – Yes, I'm leaving today at five o'clock by plane. »

Édipo Rei começa em 1920 na Itália, relatando um nascimento, fruto de um caso entre uma burguesa e um oficial militar. O filme se desenvolve retratando o mito de Édipo sobre parricídio e incesto. O epílogo mostra Édipo tocando sua flauta na agitação urbana da Bolonha dos anos 60.

A short film by Jean-Claude Biette.

No segundo Conto Moral de Rohmer, Bertrand dá tempo ao tempo em uma amizade hostil e invejosa com o seu colega Guillaume. Mas quando o mulherengo Guillaume parece estar interessado na energética e independente Suzane, Bertrand observa amargamente com desagrado e ciúmes.