Jacob Oostra

Biserka Šuran was two when her family fled the former Yugoslavia. At the time, her father thought that their youngest daughter would be the least affected by this sudden departure. In her directorial debut, Šuran enters into a conversation with her father about their shared past, the history of the Balkans and what it means for their identity.

On a drive back home in a dirty car, three young women talk about other people. Their conversation flows naturally, and takes them into uncharted territory.

After a bizarre one night stand leaves him infertile, a careless bachelor sets out to connect with the television presenter who, as the result of the anonymous sperm donation he once made, happens to be pregnant with his child.

Filmmaker Froukje van Wengerden’s 86-year-old grandmother shares a powerful memory from 1944, when she was just 14. As her story unfolds, we see a group of contemporary 14-year-old girls. Their procession of portraits permits the spectator to see simultaneously forward and back, into the future and towards the past. A miraculous testimonial that uses eye contact to focus the viewer inward and evoke unexpected emotions.

When Kees (42) and his two children, Roos (12) and Willem (6), stop at a gas station for a quick toilet break, they all shortly separate and go their own way. In this short period of time, each of them witnesses something which makes them think about themselves. The young Willem accidently witnesses a couple making love in the bushes and doesn't know how to deal with this. Roos, a real 'tomboy', starts thinking about who she wants to be, after another girl confuses her for being a boy. Kees, a divorced man, thinks he has a flirt with a younger woman. When he finds out she wasn't flirting at all, he realizes that he has entered a new period of his life where he has to find his place. The three characters separately all experience a small tilt in their lives.