Aleksandr Kananovich

Filmes

В тесноте, да не в обиде
Director
The Aunties
Director
The action of the story takes place around the Christmas time, when, as usually, the most unbelievable miracles come to life. The story starts with Masha - future doctor and meanwhile an eager student of medical university, her best friend Lilka - a colorful and charismatic young lady who is always in search of man of her life, and Masha's grandfather, Andrei Ivanovich, who is her only relative - a kind but deeply sad amateur painter. The heroes live their ordinary lifes with their worries and laughs until at Christmas Eve they receive a phone call... Three Aunties, who named them self as distant relatives, announce their arrival within an hour. With their arrival the story becomes dashing and somehow magical.
Return ticket
Director
Maria returns to the city where her family lives, her friends — those whom she loves more than life, those with whom she was separated for six long years. Mary was convicted of murder. A small town where everyone knows each other, still at a loss: how could a young woman kill her husband? Only Mary herself knows the truth and the price of this tragic event from the past. The long-awaited return home becomes a real test for her.
Dastish Fantastish
Director
Residents of the “375 kilometer” village are very funny, energetic and inventive people. They plow the land on a tank, but nevertheless try to keep up with civilization: they have their own mobile phone with which the postman Granny Nyura drives around. The main character Vanka needs a phone exclusively for accessing the Internet - in faraway Australia, his virtual lover lives. However, the neighbor girl Varka, secretly in love with the hero, is not ready to put up with the existence of a rival. Varka is trying in every possible way to attract the attention of her love interest. Only not everything goes according to plan ...
Let's meet
Director
Lyuba Solovyova becomes a witness to the accident, after which Pavel, unfamiliar to her, also Solovyov, ends up in intensive care. In the hands of Luba is his son Shura. Lyuba comes to the hospital, where she is mistaken for Paul’s wife. Unable to abandon a child who does not have a mother, and his father is in a coma, the woman decides to wait for Shura's grandmother to arrive from Germany, and for now, she assumes the role of wife and takes care of Pavel. Perhaps there are personal reasons for this: the whole situation unfolds against the backdrop of a break with her husband Sergei, who is sure that no one needs Lyuba, which means that you can behave with her as you like. And it is important for her to feel necessary - even if it is for an occasional person.