Cinematography
Péter and Pál, two notorious skirt hunters competing in wooing Oana, a pretty Romanian girl on the beach at Tihany. A couple of days later the girl gets a telegram saying that she has to leave for Bucharest immediately. The party - which has increased with Piri, the interpreter, and Ági, the hitch-hiker - gets to a Romanian village by Peter's ramshackle car, a 1921 Colymne. The car, however, breaks down.
Director of Photography
A prosecutor, policemen and teacher bring the students Vuica and Nicu to a restaurant to re-enact their drunken brawl there, and have it filmed to show the effects of alcoholism.
Cinematography
Romania, 1940. A boy meets a girl. They fall in love without suspecting anything about their real identities. They chose an eventful, tense and dangerous life as underground anti-fascists fighters. The significance of their activity is manifest in the consequences it has on the tormented progress of their love. Reality is against it. Two parallel lines which meet for a second, only to drift apart for ever.
Director of Photography
An illustration of the evolution of the working conditions in the communist era, compared to the interwar period, using as a pretext a recently modernized factory in Jilava, presented in a mirror with the one described in a 1934 report by Geo Bogza.
