Toni Berger

The action of the melodrama takes place in the late 19th century, in an idyllic mountain village. Behind the façade of law and morality there is stubbornness, depravity and fear. As a dedicated teacher , Franz Gattl has been caring for the children of the mountain village for years . The kids love him.The progressive assistant teacher is a thorn in the side of the village priest Kleiber, who reports to Franz , and he uses every opportunity to spoil his future ; Especially when he found out about his assistant teacher 's love for Anna Rissbacher . When Anna becomes pregnant , he sees hishour has come. The young couple has to leave their home country head over heels .

On the Schiermoser farm tense expectation prevails. The 'Urban', the Schaubleins, surprisingly announced their arrival. In the past, they were welcome as generous summer visitors. But now the shortage years of the First World War prevail. And the farmer's wife suspects lazy parasites in the townsfolk. The city family is indeed facing ruin. Especially since the defiant daughter Rosalie has just knocked out a promising money marriage without regard to scandal. The Rosalie is attracted to the Schiermoser heir Franz. His mother already drives the thought of a 'Madame Bäurin' to madness. Everyone experiences a turbulent time of upheaval. The end of the First World War will shake the social fronts as well as the new machine age.

For fans of history, this glimpse of Munich society in the 1920s will be a much-treasured event. The story revolves around an art-gallery manager who puts on a show featuring the scandalous works of a woman artist who committed suicide. He is unjustly accused of having committed adultery with her, and for some reason the authorities decide to make an example of him. He is imprisoned at about the same time that Hitler and the nascent Nazi party attempt the infamous Beer Hall Putsch, and the gallery manager's girlfriend and a Swiss writer valiantly (and unsuccessfully) attempt to get better justice for him. Nobody in authority, it seems, has the courage to take up the challenge of righting this particular injustice.

In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…

In a large city lives a lonesome, 38-year old woman. Without friends, she has indulged in food and candy too much and has become a bit overweight. In short, she is disappointed of her life. One day she sees a young and handsome subway driver and instantly falls in love with him. In a very short time, she finds out all about him and eventually makes contact with him.

On the occasion of his last regulars’ table in his old neighbourhood of Schwabing, the laconic pensioner Schorsch gets paid a cab drive to his new home in Neuperlach in the outskirts of the city by his pals. But Schorsch rather wants to take one last look at his old downtown apartment which he had renovated himself after the war, and where he had lived for almost forty years until his landlord bullied him out of there as the latter wanted to use the space for expensive luxury apartments. Because Schorsch’s wife wanted to move to “the countryside”, they thereupon moved to the Neuperlach development site in the outskirts of Munich. But amongst the uniformly looking housing blocks, Schorsch can’t even find his new apartment, and so, the grumpy cabdriver Gustl becomes his companion on a nightly odyssey.

A musician beds down a prostitute he knows is diseased in order to gain inspiration, an act he later believes to have been a tacit pact with Satan

Made during Bergman's tax-related exile in Germany, the film continues the story of Katarina and Peter Egermann, the feuding, childless, professional couple who appear in one episode of "Scenes From A Marriage." After Peter perpetrates a horrendous crime in its first scene, the rest of the film consists of a non-linear examination of his motivations, incorporating a police psychological investigation, scenes from the Egermanns' married life, and dream sequences.

Uma semana na vida de Abel Rosenberg, acrobata de circo americano desempregado que vive em Berlim após a derrota da Alemanha na Primeira Guerra Mundial. Ingmar Bergman analisa a gênese do nazismo: a decadência econômica e a consequente degradação social são os ingredientes básicos do desespero, matéria-prima com a qual líderes carismáticos moldam o ódio racial.